Essential matter verses the meaning of performative matter.
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This post looks at the first collaboration of the year with other students. The chosen platforms that facilitated our coming together to curate and present our WINTER SHOW and reflects on the process as it unfolds.
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An ongoing exploration to find not only where my practice exists, but also, where its strogest, and how much overlap there is between thinking and doing. Can a portrait involve other mediums? Does a portrait need to exist on a canvas? Does it need to be a face?
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When objects become things.
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Arranging spaces for artistic flourishing in times of confinement.
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Whilst thinking about this blog, “what will it look like?”, “what content will I put in here?”, I have found my self envisioning all kinds of formats, looks and constructions. The internet is a vast place, the research potential, almost unlimited.
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How it feels to return to the University and play with empty space.
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How do objects appear to us? What is it that we experience when we come into contact with these objects. Do things appear as they seem?
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Thinking about making as a response.
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When we think of painting, what do we imagine. What are the constituent parts that go towards making the event of painting, or result in certain actions and procedures?
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