https://www.stuleeart.com/prints daily 0.75 2017-09-10 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1502923824878-DAIJ61G42XMJ06QH81EW/Z+neil.png Legends: In Colour https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1502898155526-EFIWWLDYEH6TY41EJN0U/stu+p1.jpg Legends: In Colour https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1502923948586-WD14FJAD3W355JEUKPIP/z+roots.jpg Legends: In Colour https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1502923980731-18BMI0T4BZJWVER6AX2U/Z+grohl.jpg Legends: In Colour https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1502924004347-TUC50NR0X2FV2SH9CLL0/Z+bob.jpg Legends: In Colour https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1502924078742-U91ZOI6K96OV72WU0LVM/stu+legends.png Legends: In Colour https://www.stuleeart.com/about daily 0.75 2025-11-01 https://www.stuleeart.com/featured daily 1.0 2025-11-01 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1502902745734-D4LJ2UM326NZ01N56N6P/stu+p6.jpg Home https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1602503876061-4MZF1EPG4OYGXF6JNRUJ/83989BAD-E690-40FB-B9EB-67797AABCED1+2.jpeg Home https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1607689794906-3AOP0WFUID19CPE5DH9A/ezgif.com-gif-maker+%2812%29.gif Home https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/a48580ac-7840-4116-bbdb-056f653fd6fd/IMG_7944.PNG Home https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/95c2f498-ac42-4f21-8dde-13731b779468/IMG_9379.jpeg Home - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.stuleeart.com/photos daily 0.75 2020-03-24 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1502898155526-EFIWWLDYEH6TY41EJN0U/stu+p1.jpg The Things We Build https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1502926337533-C912VLP5RPXFBD2G8XVO/stu+legends.png The Things We Build https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1502926461170-FV0WN6GEZMNFZORRYDCC/IMG_1234.JPG The Things We Build - Lemon Street Any corner turned anywhere in the world can unleash a visual assault, attacking the senses, arousing derision or delight. Available as a 60cm x 60cm print. On 308gsm Hahnemuehle Photorag Paper Unframed Place your order https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1502926536291-LNLKU3VE8I5K36A9P4IH/IMG_7858.JPG The Things We Build - Agreed. So who are these masters of the unsolicited. Who says what they are trying to communicate is not for us to hear or see. Available as a 60cm x 60cm print. On 308gsm Hahnemuehle Photorag Paper Unframed Place your order https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1502926541705-DMIE770QDUM65Z811DM2/IMG_7536.JPG The Things We Build - Telephone Box. I'm sorry, your call cannot be completed as dialed. Please check the number and dial again. Available as a 60cm x 60cm print. On 308gsm Hahnemuehle Photorag Paper Unframed Place your order   https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1502926538631-YJ8PW3E8AI6NKGRQKKUG/IMG_6927.JPG The Things We Build - CCTV As anonymous as the people watching in rooms bathed in electric glow, are the scrawlers, taggers, throw up artists. neither knowing, lives connected by opposing views. You do that, we do this. Available as a 70cm x 50cm print. On 308gsm Hahnemuehle Photorag Paper Unframed Place your order https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1502926540492-DPKM5J9TQQ8R2G40U6CK/IMG_5976.JPG The Things We Build - Bombdove Only for a moment do we stop to see. The picture tells us something horrible has happened yet we are free to walk on. Its only a picture, yes it was there to be seen, but nothing really fell, the ones that have fallen are over there. Its ok to walk by. Available as a 50cm x 50cm print. On 308gsm Hahnemuehle Photorag Paper Unframed Place your order https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1504976058068-V4QBB3QELLSA4K58PTPH/IMG_0858.JPG The Things We Build - Detroit If life in our district was summed up by the state of the buildings, derelict and worn, we'd all be in a great deal of trouble. But even in adversity there is the spirit of our people, a spirit that cannot be beaten by wind and rain; we are not the gravel underfoot but eagles on lofty drafts. Available as a 100cm x 60cm print. On 308gsm Hahnemuehle Photorag Paper Unframed Place your order https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1504977460682-LH48CKNQVLB45VJWNAH7/Tamoil.JPG The Things We Build - Tamoil Lets stop for some snacks, leave a tag on a post, I'll get some crisps, our names being ghosts. Available as a 50cm x 60cm print. On 308gsm Hahnemuehle Photorag Paper Unframed Place your order https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1504977777517-PGUQPT704HKJ3KWFQZZ1/IMG_8170.JPG The Things We Build - What Was. Graffiti is something that enters our lives, sometimes uninvited, yet can offer a whole new perspective on spontaneous interactions. Available as a 50cm x 50cm print. On 308gsm Hahnemuehle Photorag Paper Unframed Place your order https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1565790088828-RXAX67LFSM30TYU4KSLF/fullsizeoutput_223b.jpeg The Things We Build - The Gate II Taken from Moscow’s Triumph Arch. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1565790124913-OC110KC2UPJHF6ESCSCB/fullsizeoutput_2239.jpeg The Things We Build - The gate III Using photos of differing triumph arches of Europe, this series plays with lines. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1565790198763-8R5TUEH7C2YWIK8FU78M/fullsizeoutput_2177.jpeg The Things We Build - The Stadion https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1565790226658-C2BSAGK6T3FBYMDXR4T9/C303F2CA-0AA5-4765-AEA8-0F510C53F2CE.jpg The Things We Build - The Gate I Using lines to convert the Brandenburg Gate. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1565790294402-65WD0T6E6OUA2KJ3HB2G/fullsizeoutput_2176.jpeg The Things We Build https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1565790739374-UUMGCR7Y0VLPCNF4NI8I/fullsizeoutput_1ee9.jpeg The Things We Build - Ever aging. A haunting yet sympathetic view of East London. https://www.stuleeart.com/home daily 0.75 2020-03-25 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1502899436660-7FPYLV8ZUAF11XIFAAN7/stu+p2.jpg Legends: In Black & White https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1502918189606-PDNEZD6UOMCIFBXYMFT0/BW+Bowie.jpg Legends: In Black & White https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1502920320854-9WLR3ON6GKDINI2JK75U/bw+nina.jpg Legends: In Black & White https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1502920583125-SV5X1OKDADG5WSEN9N2B/bw+brian.jpg Legends: In Black & White https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1502921572654-VLGPZNS3KK89M5103OLE/bw+joe.jpg Legends: In Black & White https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1607692945438-0XR9LFL9LUZKHT3A3UE4/ezgif.com-gif-maker+%2812%29.gif Legends: In Black & White https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1502922457872-MPSC7UDEDZGOXDW9NR6M/stu+legends.png Legends: In Black & White https://www.stuleeart.com/new-gallery daily 0.75 2019-08-14 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1502926461170-FV0WN6GEZMNFZORRYDCC/IMG_1234.JPG Urban Graphics - Lemon Street Any corner turned anywhere in the world can unleash a visual assault, attacking the senses, arousing derision or delight. Available as a 60cm x 60cm print. On 308gsm Hahnemuehle Photorag Paper Unframed Place your order https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1502926461170-FV0WN6GEZMNFZORRYDCC/IMG_1234.JPG Urban Graphics - Lemon Street Any corner turned anywhere in the world can unleash a visual assault, attacking the senses, arousing derision or delight. Available as a 60cm x 60cm print. On 308gsm Hahnemuehle Photorag Paper Unframed Place your order https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1502926536291-LNLKU3VE8I5K36A9P4IH/IMG_7858.JPG Urban Graphics - Agreed. So who are these masters of the unsolicited. Who says what they are trying to communicate is not for us to hear or see. Available as a 60cm x 60cm print. On 308gsm Hahnemuehle Photorag Paper Unframed Place your order https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1502926541705-DMIE770QDUM65Z811DM2/IMG_7536.JPG Urban Graphics - Telephone Box. I'm sorry, your call cannot be completed as dialed. Please check the number and dial again. Available as a 60cm x 60cm print. On 308gsm Hahnemuehle Photorag Paper Unframed Place your order   https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1502926538631-YJ8PW3E8AI6NKGRQKKUG/IMG_6927.JPG Urban Graphics - CCTV As anonymous as the people watching in rooms bathed in electric glow, are the scrawlers, taggers, throw up artists. neither knowing, lives connected by opposing views. You do that, we do this. Available as a 70cm x 50cm print. On 308gsm Hahnemuehle Photorag Paper Unframed Place your order https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1502926540492-DPKM5J9TQQ8R2G40U6CK/IMG_5976.JPG Urban Graphics - Bombdove Only for a moment do we stop to see. The picture tells us something horrible has happened yet we are free to walk on. Its only a picture, yes it was there to be seen, but nothing really fell, the ones that have fallen are over there. Its ok to walk by. Available as a 50cm x 50cm print. On 308gsm Hahnemuehle Photorag Paper Unframed Place your order https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1504976058068-V4QBB3QELLSA4K58PTPH/IMG_0858.JPG Urban Graphics - Detroit If life in our district was summed up by the state of the buildings, derelict and worn, we'd all be in a great deal of trouble. But even in adversity there is the spirit of our people, a spirit that cannot be beaten by wind and rain; we are not the gravel underfoot but eagles on lofty drafts. Available as a 100cm x 60cm print. On 308gsm Hahnemuehle Photorag Paper Unframed Place your order https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1504977460682-LH48CKNQVLB45VJWNAH7/Tamoil.JPG Urban Graphics - Tamoil Lets stop for some snacks, leave a tag on a post, I'll get some crisps, our names being ghosts. Available as a 50cm x 60cm print. On 308gsm Hahnemuehle Photorag Paper Unframed Place your order https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1504977777517-PGUQPT704HKJ3KWFQZZ1/IMG_8170.JPG Urban Graphics - What Was. Graffiti is something that enters our lives, sometimes uninvited, yet can offer a whole new perspective on spontaneous interactions. Available as a 50cm x 50cm print. On 308gsm Hahnemuehle Photorag Paper Unframed Place your order https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1565790088828-RXAX67LFSM30TYU4KSLF/fullsizeoutput_223b.jpeg Urban Graphics - The Gate II Taken from Moscow’s Triumph Arch. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1565790124913-OC110KC2UPJHF6ESCSCB/fullsizeoutput_2239.jpeg Urban Graphics - The gate III Using photos of differing triumph arches of Europe, this series plays with lines. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1565790198763-8R5TUEH7C2YWIK8FU78M/fullsizeoutput_2177.jpeg Urban Graphics - The Stadion https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1565790226658-C2BSAGK6T3FBYMDXR4T9/C303F2CA-0AA5-4765-AEA8-0F510C53F2CE.jpg Urban Graphics - The Gate I Using lines to convert the Brandenburg Gate. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1565790294402-65WD0T6E6OUA2KJ3HB2G/fullsizeoutput_2176.jpeg Urban Graphics https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1565790739374-UUMGCR7Y0VLPCNF4NI8I/fullsizeoutput_1ee9.jpeg Urban Graphics - Ever aging. A haunting yet sympathetic view of East London. https://www.stuleeart.com/learn-more daily 0.75 2017-08-20 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1502926461170-FV0WN6GEZMNFZORRYDCC/IMG_1234.JPG Learn More - Lemon Street Any corner turned anywhere in the world can unleash a visual assault, attacking the senses, arousing derision or delight. Available as a 60cm x 60cm print. On 308gsm Hahnemuehle Photorag Paper Unframed Place your order https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1502926536291-LNLKU3VE8I5K36A9P4IH/IMG_7858.JPG Learn More - Agreed. So who are these masters of the unsolicited. Who says what they are trying to communicate is not for us to hear or see. Available as a 60cm x 60cm print. On 308gsm Hahnemuehle Photorag Paper Unframed Place your order https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1502926541705-DMIE770QDUM65Z811DM2/IMG_7536.JPG Learn More - Telephone Box. I'm sorry, your call cannot be completed as dialed. Please check the number and dial again. Available as a 60cm x 60cm print. On 308gsm Hahnemuehle Photorag Paper Unframed Place your order   https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1502926538631-YJ8PW3E8AI6NKGRQKKUG/IMG_6927.JPG Learn More - CCTV As anonymous as the people watching in rooms bathed in electric glow, are the scrawlers, taggers, throw up artists. neither knowing, lives connected by opposing views. You do that, we do this. Available as a 70cm x 50cm print. On 308gsm Hahnemuehle Photorag Paper Unframed Place your order https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1502926540492-DPKM5J9TQQ8R2G40U6CK/IMG_5976.JPG Learn More - Bombdove Only for a moment do we stop to see. The picture tells us something horrible has happened yet we are free to walk on. Its only a picture, yes it was there to be seen, but nothing really fell, the ones that have fallen are over there. Its ok to walk by. Available as a 50cm x 50cm print. On 308gsm Hahnemuehle Photorag Paper Unframed Place your order https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1504976058068-V4QBB3QELLSA4K58PTPH/IMG_0858.JPG Learn More - Detroit If life in our district was summed up by the state of the buildings, derelict and worn, we'd all be in a great deal of trouble. But even in adversity there is the spirit of our people, a spirit that cannot be beaten by wind and rain; we are not the gravel underfoot but eagles on lofty drafts. Available as a 100cm x 60cm print. On 308gsm Hahnemuehle Photorag Paper Unframed Place your order https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1504977460682-LH48CKNQVLB45VJWNAH7/Tamoil.JPG Learn More - Tamoil Lets stop for some snacks, leave a tag on a post, I'll get some crisps, our names being ghosts. Available as a 50cm x 60cm print. On 308gsm Hahnemuehle Photorag Paper Unframed Place your order https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1504977777517-PGUQPT704HKJ3KWFQZZ1/IMG_8170.JPG Learn More - What Was. Graffiti is something that enters our lives, sometimes uninvited, yet can offer a whole new perspective on spontaneous interactions. Available as a 50cm x 50cm print. On 308gsm Hahnemuehle Photorag Paper Unframed Place your order https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1565790088828-RXAX67LFSM30TYU4KSLF/fullsizeoutput_223b.jpeg Learn More - The Gate II Taken from Moscow’s Triumph Arch. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1565790124913-OC110KC2UPJHF6ESCSCB/fullsizeoutput_2239.jpeg Learn More - The gate III Using photos of differing triumph arches of Europe, this series plays with lines. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1565790198763-8R5TUEH7C2YWIK8FU78M/fullsizeoutput_2177.jpeg Learn More - The Stadion https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1565790226658-C2BSAGK6T3FBYMDXR4T9/C303F2CA-0AA5-4765-AEA8-0F510C53F2CE.jpg Learn More - The Gate I Using lines to convert the Brandenburg Gate. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1565790294402-65WD0T6E6OUA2KJ3HB2G/fullsizeoutput_2176.jpeg Learn More https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1565790739374-UUMGCR7Y0VLPCNF4NI8I/fullsizeoutput_1ee9.jpeg Learn More - Ever aging. A haunting yet sympathetic view of East London. https://www.stuleeart.com/product-gallery-3 daily 0.75 2017-04-19 https://images.squarespace-cdn.com/content/v1/588652811b10e3db31442d39/1486478603350-O1LR12RQ65KP61QZNG6M/01-2015-07-31-jewelry-product-06-model-0039-v3-FINAL.jpg Product Gallery 3 - Pendant Earrings $150 https://www.stuleeart.com/hardcore daily 0.75 2024-09-13 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1607713174682-4KLHEY7TCNP2MCP1TJ5V/4C62E90E-2BCE-4579-BD59-C5747F579129.gif H_rd C_RE https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1607713786472-RZXXDXHJK8J060BWZR5T/2E44C87D-7C34-4AF9-AEFC-14E4FD591104.gif H_rd C_RE https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1607797338918-JD0C3K9JAIP3B50S8V3Y/giphy-1.gif H_rd C_RE https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1607797123899-BFI26DL2TYFIN5VJ79JF/giphy-1.gif H_rd C_RE ENTER HERE https://www.stuleeart.com/drawing-gallery daily 0.75 2019-08-14 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1546206609962-OW9SRTSHOKB8URO04W0L/10421537_979924992071007_6731020406571781017_n.jpg Drawing gallery https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1546206654461-L8CCID9YE58PTTYJT9XT/Enlight280.jpg Drawing gallery https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1546206662317-3EGTZDGAWGI4Y4NM7VFM/Enlight282.jpg Drawing gallery https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1546206674839-NHK4SEA2155XFS6YI9HZ/IMG_6830.JPG Drawing gallery https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1546206695726-RPOT5C7H0K2IJ0LKQVE6/12027172_1126394700721971_991930706515241855_o.jpg Drawing gallery https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1546206748940-KUQSZF1XJ9WA48YCJ5SI/Pastels+South+America+2017+.JPG Drawing gallery https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1546206763050-VXIGXMZ9VAVG5UI9IE97/IMG_2255.jpg Drawing gallery https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1546206798893-NAULMQSSYH7MP88IAU57/IMG_6982.jpg Drawing gallery https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1546206860150-UE8JR9LDU9OIKZQM1UU2/Enlight245.jpg Drawing gallery https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1546206885141-XS1AKL4IZFGTNOQ0D404/Enlight293.jpg Drawing gallery https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1546206918037-7Y1SK4YM0HG5YWNYJ4MJ/IMG_6671.JPG Drawing gallery https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1546206967966-6ONITCYPE9Q7CFPNL5X7/IMG_6687.JPG Drawing gallery https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1546206988990-JIXVY0GU34XNSA2ZXP1H/Enlight278.jpg Drawing gallery https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1546207044668-26E0HVXLK6SBT6JJ3XQK/Enlight216.jpg Drawing gallery https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1546207128464-4J7CGUANGQPTLFX16P91/IMG_4361.JPG Drawing gallery https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1565788123942-K9YFC1ROILBEEXNPJ8XJ/fullsizeoutput_222f.jpg Drawing gallery - Tilda A practice piece. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1565787964064-PP1JZR7HD38QXX3SIE6C/450D07A5-C236-41E3-8A88-B61E4A9E5F06.jpg Drawing gallery - Till Show yourself. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1565788001885-JK3FAYZ60F7TMFJ0S586/7EDE050B-B2B0-4F69-9406-74034C23C123.jpg Drawing gallery - May well have been. Study from a fashion magazine. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1565788076767-WE293HI0XUFZRHYCBD8K/fullsizeoutput_2167.jpeg Drawing gallery - Till A study. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1565790900631-O99DJBY16XW1UBWHE09C/E56383F1-5A36-4808-B67C-81A6660CCE7B.jpg Drawing gallery - Till. Taken from a recent promo shot. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1565790965854-UELD01AJ9HMKA74QZZYC/fullsizeoutput_2163.jpeg Drawing gallery - Untitled. Working with electronic tech to bring a new look to a traditional technique. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1585090645183-E6CWQ2NUFOV0U0OHEU8H/IMG_0866.jpeg Drawing gallery https://www.stuleeart.com/drawings daily 0.75 2021-01-16 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1610762484037-23XZUGCQZ1AJ6RGJ3RME/IMG_2255.jpeg DRawings Martha Argerich. Pastel pencil on paper. https://www.stuleeart.com/meth1nq daily 0.75 2021-09-27 https://www.stuleeart.com/meth1nq/2021/5/24/evaluation-l5-summary monthly 0.5 2021-05-26 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622064209264-FBNR1KBX8NX86T70DEMK/IMG_2054.jpeg METH/1NQ - Evaluation: End of Year L5 Summary. - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622063856266-MXC8M9DZ2RV18I6WFMVW/Screenshot+2021-05-23+at+08.18.37.png METH/1NQ - Evaluation: End of Year L5 Summary. - Make it stand out Stuart Lee Basement Installation May 2021 London Metropolitan University https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622063509924-V3ZYH94WN6BCE2IWBGL1/IMG_3637.jpeg METH/1NQ - Evaluation: End of Year L5 Summary. - Make it stand out Stuart Lee Balanced Ecologies (May 2021) Glazed Raku Clay, Wood and Steel wire. One of a new series of 7 developmental works https://www.stuleeart.com/meth1nq/2021/5/21/reflection-working-with-digital-media monthly 0.5 2021-05-29 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622150088277-JIFGISVTYTNJIXV6EJN2/IMG_3192.jpeg METH/1NQ - Reflection: Working With Digital Media - Make it stand out Screen made by Stu Lee. Start of a project exploring access to image by the constriction of a surface. This was going to be for my Public display submission. https://www.stuleeart.com/meth1nq/2021/5/24/development-accidental-properties monthly 0.5 2021-05-27 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622046629374-FF69G1UCRB4NN4OHPHGK/ezgif.com-gif-maker+%2815%29.gif METH/1NQ - Development: Plateaus II 'Accidental Properties.' - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622147082715-0WZQU0NQO8URZUAFEGNH/IMG_2523.jpeg METH/1NQ - Development: Plateaus II 'Accidental Properties.' - Make it stand out Fig. 1 Accidental Properties I. A pottery that takes on its own sense of performance and embodiment. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622149710069-QYDJJUOQZYQOYSNV2BDM/IMG_3382.jpeg METH/1NQ - Development: Plateaus II 'Accidental Properties.' - Make it stand out Stuart Lee Balanced Accident 2021 Work in Progress Wood, Steel Wire, Concrete, Porcelain, 24ct Gold Leaf. https://www.stuleeart.com/meth1nq/2021/5/4/jg68319bu1anjdamryh5jxtwikr79f monthly 0.5 2021-05-25 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1620129056239-7YINTWNB2CGZHPZTP9CS/IMG_2689.jpeg METH/1NQ - Development: Bull in a China Shop Fig. 1, Three pots made in ceramics. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1620135505867-EGZ5XQBIKG3TMPJ0D7PQ/IMG_2651.jpeg METH/1NQ - Development: Bull in a China Shop Fig. 2 Pots of underglaze I have picked out to use in my ongoing investigation as to how I achieved the first firing two week ago. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1620132096364-RYBTTPWL7ITWLO4QYQNH/IMG_2644.jpeg METH/1NQ - Development: Bull in a China Shop Fig. 3, Ceramic paints and a pot on the bench. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1620135626053-9ZK9IB16NBWGQO9PYWAI/IMG_2645.jpeg METH/1NQ - Development: Bull in a China Shop Fig. 4, How the pre fired pot looks with the underglaze applied. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1620136108865-9FND471IIB8RSCWUC4YZ/IMG_2659.jpeg METH/1NQ - Development: Bull in a China Shop Fig. 5, A broken pot. All because I tried painting before firing. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1620470841813-HBD719O8PB3S1CZB0HKB/IMG_8414.jpeg METH/1NQ - Development: Bull in a China Shop Fig. 6 Ceramic Hoods as displayed in the Calcutta Annex Basement Space. https://www.stuleeart.com/meth1nq/2021/5/24/plateaus monthly 0.5 2021-05-27 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622045542406-YP7HRA84T3KQZLS403YD/IMG_1432.jpeg METH/1NQ - Development: Plateaus - Make it stand out Fig. 1, Examples of fragments from my various casting processes in the basement of the Calcutta Studios Annex. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622108337802-TTPYD6HWJYOAMEMLNNFQ/IMG_1303.jpeg METH/1NQ - Development: Plateaus - Concrete Deltas The choice of my materials brings up ecological inquiries. We could look at this tray I used for mixing as a metaphor for soil and land toxification via aggregate production. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622108336050-93LK58MX8UY4B1XVMDW4/IMG_1300.jpeg METH/1NQ - Development: Plateaus - Vital essentialisms Yet these same aggregates are employed in my making process. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622108344777-QRFKUE2USGH0ZG6RMSIO/IMG_1428.jpeg METH/1NQ - Development: Plateaus - Plateau I This one piece of aggregate cast off sparked an idea that employs the re/using of these parts to reconstitute the foundation of my potteries that I am making in ceramics. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622108349536-03J1OY9QPQYOJRCPPX09/Screenshot+2021-04-02+at+15.07.36.png METH/1NQ - Development: Plateaus - Self Portrait 2020 One example of my casting. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622108418491-PL117Y2E7DE8DYOX9QTB/IMG_2004.jpeg METH/1NQ - Development: Plateaus - Square Jupiter 2021 My 3rd piece in a series of works that look to engage the viewer in what can and cannot be seen. Questioning access. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622108423770-GQMW1PZ86AYXJZUR4078/IMG_1946.jpeg METH/1NQ - Development: Plateaus - Cast mould breakdown Opening the shuttering that set the mould https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622108427223-EY2Y2GT0UIO263MVGE47/IMG_1943.jpeg METH/1NQ - Development: Plateaus - Concrete lampshade III In the moulding process I have embedded a Lampholder and Lightbulb. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622110816064-LH521QUNOHE5F1GAP8NZ/IMG_1289.jpeg METH/1NQ - Development: Plateaus - Make it stand out Out of the primordial. Plastics, Aggregates and Composites stand as evidence of my impact as an artist and human being enmeshed in a wider network of being. This casting in the Annex basement stands as a testament to choose where I want my work to reside ecologically. https://www.stuleeart.com/meth1nq/2021/5/21/development-a-journey-back-into-the-hoods monthly 0.5 2021-05-27 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622014136786-MT5T07L34UTKFEC4CHDJ/IMG_8673.jpeg METH/1NQ - Development: A Journey Back Into the Hood/s - Make it stand out Fig.1, Three works on display in the basement to help gain sense of objects in a setting. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622107040240-R6EUS23ZSOUS541R4CFB/IMG_6171.jpeg METH/1NQ - Development: A Journey Back Into the Hood/s - Tate Modern, Andy Warhol Exhibition 2020 The Purple Mao, Copyright of Andy Warhol Estates https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622107040167-LEU6036UU51R2WKE0PMZ/IMG_6274.jpeg METH/1NQ - Development: A Journey Back Into the Hood/s - Chairman Mao Close up of the painting I think of when I consider my banana sculpture. Warhol is instrumental in playing with colourways. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622107283554-YF3QHY5RMO22ZCJNR8L3/IMG_6924.jpg METH/1NQ - Development: A Journey Back Into the Hood/s - Sotheby's exhibition September 2020. A more traditional way of seeing the expected within a subject. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622105974046-NRVIRJY15N7TB7GL77TW/IMG_3496.jpeg METH/1NQ - Development: A Journey Back Into the Hood/s - Untitled Playing with last years ceramics to take on ideas https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622106000881-K1DB81KYYXE58MMR7UKR/IMG_1499.jpeg METH/1NQ - Development: A Journey Back Into the Hood/s - First attempt back in the studio Three ‘pots’, A complete experiment https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622106001664-NW2VBBQ16CQA1QUC4XBM/IMG_1496.jpeg METH/1NQ - Development: A Journey Back Into the Hood/s - Raku Trio Casts waiting to be fired https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622106008496-9F16E9XYFS1NMP7Y716D/IMG_2784.jpeg METH/1NQ - Development: A Journey Back Into the Hood/s - 'Precarious settings' Playing with display https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622106011414-1KDTOPX7OLYW8FL4FXRA/IMG_2875.jpeg METH/1NQ - Development: A Journey Back Into the Hood/s - What if? Again, looking at settings and their effects. https://www.stuleeart.com/meth1nq/2021/5/27/reflection-beyond-the-greenberg-field monthly 0.5 2021-05-27 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622111754298-CP4QGT9RH0MCZ4YMOOKG/IMG_1328.jpeg METH/1NQ - Reflection: Beyond the Greenberg Field. - Shuttering that housed the mould. Even the pieces that are finished with, somehow have an ecology of thingness. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622111748452-J839AMKW9ZFO60JKUNJ4/IMG_1324.jpeg METH/1NQ - Reflection: Beyond the Greenberg Field. - Supply and demand. My concrete Lampshade number two, sits eerily in the basement working, yet silent, motionless and hidden. Well, at least the electrical components are. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622111757411-GEV65LDDYVIYD4LCYGTI/IMG_1329.jpeg METH/1NQ - Reflection: Beyond the Greenberg Field. - Testing. Concrete Lampshade II 2021, Going through a test of the current detecting modulation process. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622111759800-TBEZWK5KDMZ7O1AGDCHA/Screenshot+2021-05-27+at+11.34.17.png METH/1NQ - Reflection: Beyond the Greenberg Field. - Promotion.. Instagram post for my proposal for the end of year Block 3 project. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622119260266-OCMZ4PZRRROSHPCGJ5IJ/IMG_1310.jpeg METH/1NQ - Reflection: Beyond the Greenberg Field. - Make it stand out Fig. 2 Concrete Lampshade II, 2021 Stuart Lee Concrete, Steel, Fluorescent Light tube https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622119425802-AUH08294BOQXV01HCAKC/IMG_1952.jpeg METH/1NQ - Reflection: Beyond the Greenberg Field. - Make it stand out Fig. 3 Concrete Lampshade III, 2021 Stuart Lee Concrete, Metal Lampshade, Tungsten Lamp https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622119655129-CNZ2LLYU39GL9EY5RBOA/Screenshot+2021-05-27+at+13.47.06.png METH/1NQ - Reflection: Beyond the Greenberg Field. During the making process over the last few days I have also been exploring ways of thinking through Graham Harman’s Book Art and Objects. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622122582700-4JLHGX2G8DBZ1NLMG0LA/IMG_2041.jpeg METH/1NQ - Reflection: Beyond the Greenberg Field. - Make it stand out Fig. 4 Setting the scene for ‘Beyond the Greenberg Field’. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622122725819-TJ1UUSIVPO38EYODZQ0L/IMG_2037.jpeg METH/1NQ - Reflection: Beyond the Greenberg Field. - Make it stand out Fig. 5 The accessible depth of field. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622122790900-5BCR0AFM9ZYPFN0C59W8/IMG_2016.jpeg METH/1NQ - Reflection: Beyond the Greenberg Field. - Make it stand out Fig. 6 Stepping into the field. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622130167787-MB9ZO9F0V5BV5XCO4J72/IMG_1953.jpeg METH/1NQ - Reflection: Beyond the Greenberg Field. Fig. 7 The first attempt at a composition. Also before any of the electrical components are energized. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622129955189-TQBN92TBRWKKGPMMG5IQ/FB83C126-D48B-401B-AF98-251A4E41B26D.jpeg METH/1NQ - Reflection: Beyond the Greenberg Field. Fig. 8 Directionality and potential to face that which confronts is brought into question https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622130264688-JGYVZWKXVVFGXE3ZG501/DCA45ED3-6214-4CF7-8252-15967A32D8CD.jpeg METH/1NQ - Reflection: Beyond the Greenberg Field. Fig. 9 The final composition from an oblique angle. https://www.stuleeart.com/meth1nq/2021/5/25/dont-cut-the-violet-wire monthly 0.5 2021-05-27 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622056445084-P78HNJPAY70FIA08D9Z5/IMG_1073.jpeg METH/1NQ - Development: Don't Cut the Violet Wire..! - Make it stand out Fig. 1, Start of an unfolding idea. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622056964474-HF517D4ZNH5S1VB0O9W6/Screenshot+2021-05-21+at+07.56.51.png METH/1NQ - Development: Don't Cut the Violet Wire..! - Make it stand out Fig. 2 An Ammeter, A device for measuring current flow in amps within an electrical circuit. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622057956284-TXHD9G5XVU26FTIYK968/IMG_1229.jpeg METH/1NQ - Development: Don't Cut the Violet Wire..! - Make it stand out Fig. 4 The striped down components that will fit into a shuttering mould. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622058019307-IE7KE8QKXZ4N6MO9ZP5E/IMG_1074.jpeg METH/1NQ - Development: Don't Cut the Violet Wire..! - Make it stand out Fig. 3 A toroidal magnet with a circuit measures current flow within a live cable. This measurement generates the reading on the LED display. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622057924326-097F4YL0QAOIC3UZX33O/IMG_1228.jpeg METH/1NQ - Development: Don't Cut the Violet Wire..! - Make it stand out Fig. 5 The Fluorescent lamp that will make my second concrete lampshade. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622058844628-9CWTGJZ8ONNDUECIP2UR/IMG_1236.jpeg METH/1NQ - Development: Don't Cut the Violet Wire..! - Make it stand out Fig. 6 The encasement. At this pint I am checking the depth of the component parts within the housing. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622058951028-VS7TU4VX0C8JI40PELAK/IMG_1238.jpeg METH/1NQ - Development: Don't Cut the Violet Wire..! - Make it stand out Fig. 7 One step away from the pouring of the concrete. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622059030491-ZJ1HZ6J3QIVB9D6YKIJY/IMG_1287.jpeg METH/1NQ - Development: Don't Cut the Violet Wire..! - Make it stand out Fig. 8 The pour is complete. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622059837763-R5G48GS9XKP9KQCLFFEZ/IMG_1083.jpeg METH/1NQ - Development: Don't Cut the Violet Wire..! - Make it stand out Fig. 9 The first testing of the current reading apparatus. https://www.stuleeart.com/meth1nq/2021/5/25/research-object-ecologies monthly 0.5 2021-05-26 https://www.stuleeart.com/meth1nq/2021/3/2/the-self-portrait-surveillance-looking-at-looking monthly 0.5 2021-05-15 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1621088078205-LTPKSZDB13P1AVBM5P9R/ezgif.com-gif-maker+%2812%29.gif METH/1NQ - Research: The portrait, surveillance, looking at looking. Part 2 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1615834459352-KIY9NDGI1J54FFXGWLOK/Screenshot+2021-03-15+at+16.05.40.png METH/1NQ - Research: The portrait, surveillance, looking at looking. Part 2 Fig. 1 Lucian Freud Reflection with two children (self portrait) Oil on canvas 91 x 91 cm https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1616406640954-FE2HQIMS7EGGBBBU4NHS/Screenshot%2B2021-03-15%2Bat%2B18.57.42.jpg METH/1NQ - Research: The portrait, surveillance, looking at looking. Part 2 Fig. 2 Stuart Lee After Lucian (2020) https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1615835199210-XPGR89W0HW12O0E3GX5N/Picture+1.png METH/1NQ - Research: The portrait, surveillance, looking at looking. Part 2 Fig. 3 Jenny Saville Fulcrum Oil on canvas 103 x 192 inches 1999 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1615835437266-Z9DQGC1AORJC75S9B0GP/Screenshot+2021-03-15+at+18.34.24.png METH/1NQ - Research: The portrait, surveillance, looking at looking. Part 2 Fig. 4 John Squire Untitled Oil on canvas 100 x 75.5 cm 2018 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1615835534417-91S9IYV07PT7BDFR9BOP/Screenshot+2021-03-15+at+18.28.13.png METH/1NQ - Research: The portrait, surveillance, looking at looking. Part 2 Fig. 5 Stuart Lee Glitchfield II (2020) https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1616320793748-5XFS3M1TY7J0BWBW8Z3F/IMG_6424.jpeg METH/1NQ - Research: The portrait, surveillance, looking at looking. Part 2 - First initial sketch. First projection image mapped out on the canvas. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1616319886772-938Y9CHW10H4H6JISQBV/IMG_6428.jpeg METH/1NQ - Research: The portrait, surveillance, looking at looking. Part 2 - The painting, Gestalt of Being, in production. Further developmental shot. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1616320794755-BZR4WBQYGF9PRHX3GW6V/IMG_6437.jpeg METH/1NQ - Research: The portrait, surveillance, looking at looking. Part 2 - Result of second overlay. This stage of the painting presents technical challenges in what I decide to keep in and what I decide to omit from the overall image. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1616319879683-A1V1LPJB569DZ94PWV95/IMG_6594.jpeg METH/1NQ - Research: The portrait, surveillance, looking at looking. Part 2 - Further development There is a point when some decisions are critical as to where the painting can go. certain reductions can really enhance the overall essence. Like sculpture, the space around the image is just as important. Especially if we consider the Greenburgian implications to the setting within a background of flatness. To give this evaluation context, and to quote T. J. Clark, the flatness of this painting is the “Irreducible technical fact of painting” that “stands in for the truth of seeing” . https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1616319880683-3AGA0VMBEQDDATO0AUBO/IMG_6427.jpeg METH/1NQ - Research: The portrait, surveillance, looking at looking. Part 2 - Projection element Shot ot the layering of image on the canvas within the studio setting. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1616319876118-P7X11JEK9G0QP7ES7TJQ/91A8743B-873D-48DB-A049-469E0F2815BA.jpg METH/1NQ - Research: The portrait, surveillance, looking at looking. Part 2 - Gestalt of Being (2020) Final photograph of the painting with all elements of strong evidence of decisions to reduce the overall clash of elements. https://www.stuleeart.com/meth1nq/2021/2/10/ceyee3a1p6xacbkeqyudeo9mvnkazo monthly 0.5 2021-04-01 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1613320613230-64E10JZA4ZZWHSYLUG7Q/Untitled.png METH/1NQ - Development: This Moment Has Already Happened Fig. 5 Stuart Lee Shadow of a Cloud Photograph 4032 × 3024 pix (2021) An example of shadow. How do we understand what the being of shadow consists of. Does this being exist as a deterministic entity within a framework of accessible phenomena ? https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1617307156069-H6A7ZOWNW9CUXLW55MLT/Screenshot+2021-04-01+at+14.28.41.png METH/1NQ - Development: This Moment Has Already Happened Fig. 6 above Trevor Paglen CLOUD #603 Watershed (detail) 2019 Dye sublimation print 48" × 60" (121.9 cm × 152.4 cm) Edition of 5 + 2 AP © Trevor Paglen https://www.stuleeart.com/meth1nq/2021/5/27/development-collaborate-and-thrive monthly 0.5 2021-05-27 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622150862295-SITM8PSB31NK2BMOM1TB/Trancemission+1+EZGif.gif METH/1NQ - Development: Collaborate and Thrive - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.stuleeart.com/meth1nq/2021/3/27/mark-making monthly 0.5 2021-05-08 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1617299872809-N87HLQ25ZH3ESTS20J83/Screenshot+2021-04-01+at+18.56.09.png METH/1NQ - Evaluation: Mark Making Fig. 1, Left to right: Léon Laval, Marcel Ravidat and Jacques Marsal , Some of the first discoverers of the Lascaux caves https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1617300036285-U9B0EK9T07QYY40TB1LP/Screenshot+2021-04-01+at+18.58.22.png METH/1NQ - Evaluation: Mark Making Fig. 2, Lascaux Caves https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1617304076833-8A0JBJ99MHMV6NKFUKU7/IMG_0381.JPG METH/1NQ - Evaluation: Mark Making - The Self Portrait Stood by my latest effort on canvas. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1617304158719-F8ZQ2A7UUZ2SASMG088G/Screenshot+2021-04-01+at+20.08.20.png METH/1NQ - Evaluation: Mark Making - The photograph Geting ready to leave the house one day, I noticed how the light coming through the front door I was about to leave by, was never going to be recreated unless I photographed that moment, that time of day. The challenge then was to see if I could paint that moment. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1617304077578-AE13UW4JBI6TSPDO9PVI/IMG_0300.jpeg METH/1NQ - Evaluation: Mark Making - Self Portrait 2021 In this painting I wanted to capture a certain light from an original photo I took over lockdown. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1617304830213-3KRVR5M55Q9UCK1HYSEB/Screenshot+2021-04-01+at+20.17.29.png METH/1NQ - Evaluation: Mark Making Fig. 3 After Lucian, Oil on Canvas, 2020 From early 2020, where a wider hogs hair brush was used. Notice the less controlled style. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1617304699423-YZMGTMRKQZ3YFRNSLASG/Screenshot+2021-04-01+at+20.17.10.png METH/1NQ - Evaluation: Mark Making Fig. 4 Self portrait Oil on canvas 2020 From early 2020, again a much looser stroke is evident. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1617372634617-I3UK2CVLEHO7R3ABW71O/Screenshot+2021-04-02+at+15.07.36.png METH/1NQ - Evaluation: Mark Making Fig. 7, Studio Work by Stuart Lee. Untitled Sculpture. November 2020 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1617373882889-0RBUQTUQIC2X3JMQ5E87/Screenshot+2021-04-02+at+15.28.31.png METH/1NQ - Evaluation: Mark Making Fig. 8, Experimental studio work of Stuart Lee, Siting the sculpture amongst other works. Untitled Sculpture. November 2020 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1617373627431-N7XJT4RQC2T3Q2ZJYEH6/Screenshot+2021-04-02+at+15.08.23.png METH/1NQ - Evaluation: Mark Making Fig. 9, Studio Work by Stuart Lee, which lead to a tutorial discussion about seeing this work as a self portrait. Untitled Sculpture. November 2020 https://www.stuleeart.com/meth1nq/2021/5/21/evaluation-collaborating monthly 0.5 2021-05-24 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1621873508084-340Y3CAR8E98XYMSY9ZZ/Screenshot+2021-05-24+at+17.19.21.png METH/1NQ - Reflection: Collaborating. - Make it stand out Fig. 1, Methods and Enquiry – Artist Response Task- Joseph Howse https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1621873795478-KE1ZAGSWQHVRRYQI6JOB/Screenshot+2021-05-24+at+17.29.22.png METH/1NQ - Reflection: Collaborating. - Make it stand out Fig. 2, Bag on a Wall (2021), Stuart Lee, Plastic and Concrete, Digital Photograph, https://www.stuleeart.com/meth1nq/2021/3/27/hzuyvzx59ccolw5q3izfck2fyib0pt monthly 0.5 2021-05-26 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1618246267783-VGZ3WVC5BBOPD4QTOFP6/Screenshot+2021-04-12+at+17.47.12.png METH/1NQ - Research: Surplus - July 16 1945, 5:29:45 A.M. (Mountain War Time) Trinity Site Zero, Alamogordo Test Range, Jornada del Muerto desert. Image taken from <http://nuclearweaponarchive.org/Usa/Tests/Trinity.html> https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1620484130889-EKRH7816AZZSXIFSN3BV/IMG_6195.jpeg METH/1NQ - Research: Surplus - Fig. (a) Cerith Wyn Evans, Folds…in shade (also light and shade) 5 leaves, 2020 Bronze and glass 67 13/16 × 137 3/16 × 16 3/8 in. (172.2 × 348.5 × 41.6 cm) https://www.stuleeart.com/meth1nq/2021/2/10/experiencing-the-self-outside-of-the-real monthly 0.5 2021-05-15 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1612984308895-ENQBHCR6VYGQVC314ETE/Screenshot+2021-02-10+at+19.06.38.png METH/1NQ - Research: Experiencing the self outside of the real. Fig. (a) Subject Object (2020) Left hand view in neutral setting https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1612984880174-7CFJVRZYG18HUVH9JA25/Screenshot+2021-02-10+at+19.06.45.png METH/1NQ - Research: Experiencing the self outside of the real. Fig. (b) Subject Object (2020) View from right hand side. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1612984234049-GT8ZMBISOGSBGLXF53EB/Screenshot+2021-02-10+at+19.06.45.png METH/1NQ - Research: Experiencing the self outside of the real. Subject Object (2020) Close up view https://www.stuleeart.com/meth1nq/2021/1/21/under-one-bag monthly 0.5 2021-05-08 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1616249270550-6C3NA7P3WJ3QDPDUFECN/Screenshot+2021-03-20+at+11.44.54.png METH/1NQ - Development: We the people, Under One Bag https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1611251323413-FDZTG4ZWFG7SGX9AVFPE/Screen+Shot+2021-01-21+at+17.47.46.png METH/1NQ - Development: We the people, Under One Bag Fig. 1 Projection of the recording on a plastic carrier bag. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1620481125052-505GQTI5NFHL2IGMOVDD/IMG_8015.jpeg METH/1NQ - Development: We the people, Under One Bag Fig. 2, Setting for the Home Curation Project tasked to us this year with a brief to think of the home as a setting for possible ways of working outside of the studio setting. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1620481867167-FJWNQ75WP49YFRGBE4SE/Screenshot+2021-05-08+at+14.50.11.png METH/1NQ - Development: We the people, Under One Bag Fig. 4 Hans Ulrich Obrist’s quote on the “Do it’ exhibition. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1620482906346-V5U1CADDQN1VP5LRJTAT/IMG_3077.jpeg METH/1NQ - Development: We the people, Under One Bag Fig. 5, Rosalind E. Krauss, Under Blue Cup book page 76. Here we can see the discussion of the technical support. This way of assessing an artistic practice is something I had adopted from the CCS module this block. https://www.stuleeart.com/meth1nq/2021/1/9/thepresentkingoffranceisbald monthly 0.5 2021-05-03 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1611244532825-WV1N25HSQDWF0B895DOW/Screen+Shot+2021-01-21+at+15.48.38.png METH/1NQ - Evaluation: ‘The present king of France is bald’ Opinion verses logic. https://www.stuleeart.com/meth1nq/2020/12/11/t3nnr4xb122u2fw34sefvri4zdrbma monthly 0.5 2021-05-15 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1607691003960-1J2JI6TXZZ2ACHRGYVU0/IMG_8476+2.jpeg METH/1NQ - Development: The Transience of Thought Fig. 1, Hoods on a Raft 2020. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1616231671679-42599J20IPHCUZ4EH92E/IMG_8436.jpeg METH/1NQ - Development: The Transience of Thought https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1616231673782-X7SRIOHY0VTWRT254SL4/IMG_8414.jpeg METH/1NQ - Development: The Transience of Thought https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1616231678832-VBBJFKT3ZFL9LX8OOR2F/IMG_8407.jpeg METH/1NQ - Development: The Transience of Thought https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1616231680687-FJRWIXCMM7CA9GN0Z1U8/IMG_8398.jpeg METH/1NQ - Development: The Transience of Thought https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1616231691033-O8AZ1188W4KLGLW85NWX/IMG_8354.jpeg METH/1NQ - Development: The Transience of Thought https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1616231692471-S9BG2C7PLUU4ZKGFEFDP/IMG_8321.jpeg METH/1NQ - Development: The Transience of Thought https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1616231693916-CARD4YT9P993FT30QR3B/IMG_8302.jpeg METH/1NQ - Development: The Transience of Thought https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1616231700924-2NMN4O22U1VP7SX3C2XB/IMG_8294.jpeg METH/1NQ - Development: The Transience of Thought https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1616231698830-ZXAT3R69ZGIQX7O4PAK8/IMG_8297.jpeg METH/1NQ - Development: The Transience of Thought https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1616231712501-3V7DOY0LPNVBQYS442R2/IMG_8286.jpeg METH/1NQ - Development: The Transience of Thought https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1616231707791-32S0XT03G7BKYMX4UE22/IMG_8284.jpeg METH/1NQ - Development: The Transience of Thought https://www.stuleeart.com/meth1nq/2020/12/10/f5h5xougm4b4g9psx59buooemjifsn monthly 0.5 2021-05-08 https://www.stuleeart.com/meth1nq/2021/4/12/evaluation-investigations-of-meaning monthly 0.5 2021-05-26 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1618247967136-B8BABQ8SOINIH8E5QXWF/giphy-2+copy.gif METH/1NQ - Evaluation: Investigations of purpose and meaning https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1620900901831-K7AWPGSQM5X0QGNH33OE/IMG_7592.jpeg METH/1NQ - Evaluation: Investigations of purpose and meaning - Make it stand out Fig. (a), The seminar room of the Calcutta Annex showing a display of the hoods in a symmetric alignment. This layout questions opposition. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1620902586722-44MC755VXEMPZJSBHGNJ/IMG_7098.JPG METH/1NQ - Evaluation: Investigations of purpose and meaning - Make it stand out Fig. (b), The first depiction of how I saw myself in a setting with screens showing the hoods stacked each side of me. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1620923529076-CWR5L2TW215C3TTY9RGD/giphy-7.gif METH/1NQ - Evaluation: Investigations of purpose and meaning - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1620923302951-7FN0143DJXT127NGHGF5/giphy.gif METH/1NQ - Evaluation: Investigations of purpose and meaning - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1620923449237-5KRVWFS5U6O6DESN3J0E/giphy-8.gif METH/1NQ - Evaluation: Investigations of purpose and meaning - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1620923706921-T2LPV5O0JAK2XPG15DBH/giphy-6.gif METH/1NQ - Evaluation: Investigations of purpose and meaning - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1620923974973-1ZR33D9ZAETCFMWH72NN/giphy-4.gif METH/1NQ - Evaluation: Investigations of purpose and meaning - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1620923780439-5B1AIR64TUFZDKCLBWBZ/giphy-5.gif METH/1NQ - Evaluation: Investigations of purpose and meaning - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1620924019676-35WVZQ0Y8XNO18TIWQE7/giphy-3.gif METH/1NQ - Evaluation: Investigations of purpose and meaning - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1620924077313-EXRVONH0U5YG269Q1WPF/giphy-2.gif METH/1NQ - Evaluation: Investigations of purpose and meaning - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1620905407655-D9MHOQNDNMGCBG8M5GFL/IMG_8593.jpeg METH/1NQ - Evaluation: Investigations of purpose and meaning - Make it stand out Fig. (d) On set with the hoods. Each real world hood on monitors. https://www.stuleeart.com/meth1nq/2021/3/25/why-dont-we-sing-this-song-all-together monthly 0.5 2021-04-02 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1616934589480-VNY5JHFMTENL7SGXL51F/Screenshot+2021-03-28+at+13.29.02.png METH/1NQ - Research: Why Don't We Sing This Song All Together David Hockney, Untitled, 977, iPad drawing (2011). https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1616926464416-ZECHAYBHDQ364WAQ5R3D/Screenshot+2021-03-28+at+11.13.50.png METH/1NQ - Research: Why Don't We Sing This Song All Together Instagram Story Link https://www.stuleeart.com/meth1nq/2020/11/23/the-self-portrait-surveillance-looking-at-looking monthly 0.5 2021-04-01 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1606125167490-SIGO302L20GOW5R6YLQ0/9F8413BD-2E2A-4A71-8CBD-33131B91E79B_1_201_a.jpeg METH/1NQ - Development: The portrait, surveillance, looking at looking. - The Space Between Working and Thinking Developing practice across modules. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1606129107241-88X7A6Z5EYEFTCVD41C9/Working+notes.png METH/1NQ - Development: The portrait, surveillance, looking at looking. Working notes to how I would like to present a short film idea. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1606132717853-BTMB2NQO0UV42XHJKWDZ/Screenshot%2B2020-11-23%2Bat%2B11.55.28.jpg METH/1NQ - Development: The portrait, surveillance, looking at looking. fig. a The Concrete Lampshade. (2020) https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1606135463240-3T3Z9YL3KU5URX3T5473/Screenshot+2020-11-23+at+12.43.47.png METH/1NQ - Development: The portrait, surveillance, looking at looking. fig. b Preparatory sketches from notebook. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1606132892885-Z8CU3PJNUZNHKY15LTPM/Screenshot%2B2020-11-23%2Bat%2B11.55.14.jpg METH/1NQ - Development: The portrait, surveillance, looking at looking. fig. c Self Portrait. (2020) https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1606134549477-Y63NEYM715L5J1NYK0T8/Screenshot+2020-11-23+at+12.28.21.png METH/1NQ - Development: The portrait, surveillance, looking at looking. fig. d First cast of Concrete lampshade (2020) https://www.stuleeart.com/meth1nq/2020/11/2/the-discourse-map monthly 0.5 2021-04-02 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1617377441608-OFCJGCVSHIL2XZ6UEDHA/IMG_7985.jpeg METH/1NQ - Development: The Discourse Map Fig. a, Photograph from the Annex studio basement. This pallet element was about to be broken down, when I realised that this was potentially a work in its own right. This lead me to wonder what would work in the space between the wood uprights. Opposite is a gallery of photos that include the casting process and some photos where the result of this moment stand as a thing in itself in a space amongst other works up in the Annex studios. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1617376862437-G7TVORPJJAXT4LNF1OQ5/IMG_8003.jpeg METH/1NQ - Development: The Discourse Map - 1. Casting with a mould. An arbitrary decision led to the making of this work. This display of spontaneity led to certain decisions having to be made in real time. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1617376863866-ZZYBX6EOUVEJRNJ8V91R/IMG_7990.jpeg METH/1NQ - Development: The Discourse Map - 2. The mould as an art work. What intrigues and informs my process, are the little happenings and things that I notice, like how the concrete sticks to the wood, each conducting and directing the final qualities, regardless and in spite of me as a maker. I had to consider how I was going to introduce gaps, spaces, between the wood and the concrete. What tensions would reveal themselves? https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1617376992315-273SAAKI7CCNKY6JZJZR/IMG_8228.jpeg METH/1NQ - Development: The Discourse Map - 3. The plinth is dead, long live the plinth. Photos demonstrating the display element. Giving the work space to breath and demonstrate its autonomy. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1617376986060-RXOC95FOO9MDG781HQU8/IMG_8236.jpeg METH/1NQ - Development: The Discourse Map - 4. Fissures Moments of interest are in the “accidental properties”. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1617377004193-UMMWOAGSW687CIEMNBB8/IMG_8261.jpeg METH/1NQ - Development: The Discourse Map - 5. Assemblage Curatorially, these works would not need to be so ‘clustered’. This kind of proximal correlation stifles the individuality of each sculpture. So this kind of arrangement doesn’t work for me. https://www.stuleeart.com/meth1nq/2021/5/21/evaluation-home-exhibitions-working-from-home monthly 0.5 2021-05-26 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622067149401-XSEMTBQM6Z7RM7HWUEZG/Screenshot+2021-05-26+at+23.11.45.png METH/1NQ - Evaluation: Home Exhibitions - Working From Home. - Make it stand out Fig. 1 Hans Ulrich Obrist, ‘The Kitchen Show 1991 Copyright of Hans Ulrich Obrist. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1622068285148-R1TLX0WCREB4LRBSLLDF/Screenshot+2021-05-26+at+23.27.01.png METH/1NQ - Evaluation: Home Exhibitions - Working From Home. - Make it stand out Fig. 2 Installation Art by Claire Bishop https://www.stuleeart.com/meth1nq/branding-becomes-us monthly 0.5 2021-04-29 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1617294542422-XQGMRNMF5ZF0016G6L3C/Screenshot+2021-04-01+at+17.27.02.png METH/1NQ - Reflection: Branding Becomes Us Fig. 1 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1605674855534-302FU05NB2AII0M1YN20/2A21A51D-70F6-4D39-872D-7A5825E87BB4_1_201_a.jpg METH/1NQ - Reflection: Branding Becomes Us - Utilizing sunrise Using the studio space to negotiate the work in settings of display. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1605674796968-VEP327WFP8TI7QW2V2DR/5C5FFD77-DE62-4E91-9122-E07D9AFB61AE_1_201_a.jpeg METH/1NQ - Reflection: Branding Becomes Us - Filtered influence In a time when social media drives our ongoing relationship with content, either static or moving, written or pictorial, the development of presentation becomes infinitely possible. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1605674806798-BM9V5OG62ZTKLBNVZRDZ/5B12D0B5-C42C-4DD6-AF4C-B0964E99AB4A_1_201_a.jpeg METH/1NQ - Reflection: Branding Becomes Us - Setting vs Landscape In many ways, the idea of curating image that speaks on behalf of the creator posits very interesting challenges. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1605674808179-M7T7KEWD22WTTCFRK3H5/A3CFF513-41B3-4622-A9DD-5D77B0AFA2D2_1_201_a.jpeg METH/1NQ - Reflection: Branding Becomes Us - Casting.... Casting light, a natural phenomena. Versus, casting clay, a deliberate act. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1605693593398-KUJRS5NRDZHKXX4K3RZO/IMG_7810.jpeg METH/1NQ - Reflection: Branding Becomes Us - Photon topography Experimentation of layouts, location and aesthetic. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1605693593261-FCAS82HE1FRGRK32ICTH/IMG_7853.jpeg METH/1NQ - Reflection: Branding Becomes Us - Spacial awareness Form capturing light. Creating space, informing the depth. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1605694296978-KO159M1T7GQZQ6YGW21T/Screenshot+2020-11-18+at+10.10.55.png METH/1NQ - Reflection: Branding Becomes Us - Surface tension A screen appears. Overlayed by structures out of shot. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1605670296130-0DQ7NYPR7ZP3PDQLM0G0/METH1NQ+.png METH/1NQ - Reflection: Branding Becomes Us - Branding idea. Click to access METH/1NQ YouTube channel. https://www.stuleeart.com/meth1nq/2021/4/29/pretty-little-rows monthly 0.5 2021-05-21 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1619704019155-95PTX0ETHJFD5H3PIAXB/0BF7AFE3-7224-418B-82CA-9B2D69867F97_1_105_c.jpeg METH/1NQ - Reflection: Pretty Little Rows First attempt at exploring the emptiness of the studio space today. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1619711631176-F0AOSQ6T1R84WGP7W16R/IMG_7523.jpeg METH/1NQ - Reflection: Pretty Little Rows - Layout Experiment https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1619711630963-SV6D8OZRX7IYCDRG85OU/IMG_7521.jpeg METH/1NQ - Reflection: Pretty Little Rows - Layout Experiment https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1619711637738-9V3LPEE963PV297TARFC/IMG_7517.jpeg METH/1NQ - Reflection: Pretty Little Rows https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1619711637418-K9UKAPN9YFJGV5VALRV4/IMG_7682.jpeg METH/1NQ - Reflection: Pretty Little Rows https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1619711640331-AQZ7EMFHWIATPMJ2KQL9/IMG_7678.jpeg METH/1NQ - Reflection: Pretty Little Rows https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1619711646435-LAFWGI7C8ABVAJ5918K7/IMG_7659.jpeg METH/1NQ - Reflection: Pretty Little Rows https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1619711645712-6W3L7TRDYEOAHC9JPVSK/IMG_7625.jpeg METH/1NQ - Reflection: Pretty Little Rows https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1619711653773-9LK4MYHLM2Q31ADW69DS/IMG_7605.jpeg METH/1NQ - Reflection: Pretty Little Rows https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1619711654077-GAC7JLH14LKUTUSJ5WGT/IMG_7601.jpeg METH/1NQ - Reflection: Pretty Little Rows https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1619711659423-TZJQIAB9T7QQVL6026B2/IMG_7598.jpeg METH/1NQ - Reflection: Pretty Little Rows https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1619711664039-ROS7KJ5AWRU5O9FV5QUM/IMG_7594.jpeg METH/1NQ - Reflection: Pretty Little Rows https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1619711666983-OARRYEDJYKWD0GUECWAP/IMG_7592.jpeg METH/1NQ - Reflection: Pretty Little Rows https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1619711667375-7BJNE8NMQ1UEUH9NXKO3/IMG_7587.jpeg METH/1NQ - Reflection: Pretty Little Rows https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1619711670098-KCCWGE9DW8CVBWICE5TV/IMG_7584.jpeg METH/1NQ - Reflection: Pretty Little Rows https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1619711672583-H71JP469N61F1C05M4W8/IMG_7575.jpeg METH/1NQ - Reflection: Pretty Little Rows https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1619711673249-JU7U14BNWYAQZYL6WZLO/IMG_7570.jpeg METH/1NQ - Reflection: Pretty Little Rows https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1619711680020-0MXOH211A56MPLOENC5N/IMG_7553.jpeg METH/1NQ - Reflection: Pretty Little Rows https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1619711680094-GUJAL1VYA7I5308Y2MWX/IMG_7544.jpeg METH/1NQ - Reflection: Pretty Little Rows https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1619711687434-BXMIGBKOIZ1U9HOZATA0/IMG_7541.jpeg METH/1NQ - Reflection: Pretty Little Rows https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1619711687772-RAOURVPSGS1R11RP9686/IMG_7539.jpeg METH/1NQ - Reflection: Pretty Little Rows https://www.stuleeart.com/meth1nq/essence-2z3x6-jkhz9 monthly 0.5 2021-05-26 https://www.stuleeart.com/meth1nq/2020/11/6/reflection-where-does-the-art-reside monthly 0.5 2021-05-24 https://www.stuleeart.com/meth1nq/2020/10/12/methi1nq monthly 0.5 2021-05-24 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1602875583948-T2ADVGBQPCDORQZU8JXH/Screenshot+2020-10-16+at+16.01.28.png METH/1NQ - Research: What exactly is painting? Fig. 1 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1602875883211-H98M68RU9QI402KXPM89/Screenshot%2B2020-10-16%2Bat%2B14.59.21.jpg METH/1NQ - Research: What exactly is painting? Fig. 2 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1615888813374-M5RYAU1OQ3IW0P4DLFRI/Screenshot+2021-03-16+at+09.59.19.png METH/1NQ - Research: What exactly is painting? - Fig. 3 Fig. 3 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1615889001301-I869Z49X57CLG0M9NKKD/Screenshot+2021-03-16+at+10.03.00.png METH/1NQ - Research: What exactly is painting? - Fig. 4 Fig. 4 https://www.stuleeart.com/meth1nq/2020/10/12/lung2j2za73fv8lbgbuvg3cslj0c1o monthly 0.5 2021-05-24 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1615811876993-E4NZSRFKSIAXC8F226H4/IMG_5838.JPG METH/1NQ - Introduction. - Concrete Canvas An example of last year’s work. This sculpture started to explore the idea of replacing the canvas with other materials. Made from solid concrete cast on a steel mesh, there are openings that act as a portal to ingress or egress. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1615811877710-R334JO58YRDB42RN6N5K/IMG_6067.JPG METH/1NQ - Introduction. - Relative Positioning In this photo, I was forced to work with the room and explore limitations and potentials when deciding how to display the work. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1615811881239-O09MXUCUG3XXIOB5FROL/IMG_6494.JPG METH/1NQ - Introduction. - Pre cast mould This work emerged through a process that was predicated on an entirely different intent. During the making of a mould to cast a ‘Concrete Canvas’ I was suddenly arrested upon the noticing of the mould’s potential as an object in itself. https://www.stuleeart.com/meth1nq/category/Evaluation monthly 0.5 https://www.stuleeart.com/meth1nq/category/Development monthly 0.5 https://www.stuleeart.com/meth1nq/category/Reflection monthly 0.5 https://www.stuleeart.com/meth1nq/category/Research monthly 0.5 https://www.stuleeart.com/meth1nq/tag/Lucian+Freud monthly 0.5 https://www.stuleeart.com/meth1nq/tag/Agential+Realism monthly 0.5 https://www.stuleeart.com/meth1nq/tag/Object-Oriented+Ontology monthly 0.5 https://www.stuleeart.com/meth1nq/tag/Intra monthly 0.5 https://www.stuleeart.com/meth1nq/tag/Alberto+Giacometti monthly 0.5 https://www.stuleeart.com/meth1nq/tag/Karen+Barad monthly 0.5 https://www.stuleeart.com/meth1nq/tag/Portrait monthly 0.5 https://www.stuleeart.com/meth1nq/tag/Martin+Heidegger monthly 0.5 https://www.stuleeart.com/meth1nq/tag/Graham+Harman monthly 0.5 https://www.stuleeart.com/meth1nq/tag/Glitch monthly 0.5 https://www.stuleeart.com/meth1nq/tag/Painting monthly 0.5 https://www.stuleeart.com/the-gap daily 0.75 2022-10-10 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1633956244237-SB32BL0TSIL5X4PVZ8YD/Screen+Shot+2021-10-11+at+13.43.51.png The Gap https://www.stuleeart.com/the-gap/2022/5/19/evaluation-statement monthly 0.5 2022-05-19 https://www.stuleeart.com/the-gap/2022/5/9/testing-testing-one-two monthly 0.5 2022-05-25 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/9800ad16-652f-4311-a64e-bead9d55d95f/Screenshot+2022-05-09+at+22.47.38.png The Gap - Testing Testing, one two - Make it stand out Fig. 1 A start in installing work into a space. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1652136941469-71EDQ9QXAFNBS5DE0FND/Screenshot+2022-05-09+at+23.46.00.png The Gap - Testing Testing, one two - Workshop diaries. In deciding how to present the way we come into contact with screens, I have thought about hanging them. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1652136943872-SQD04GYZT91B1EM861J7/Screenshot+2022-05-09+at+23.44.59.png The Gap - Testing Testing, one two - Framing TVs. By physically taking a CRT monitor into the woodwork shop, I was able to construct a hanging bracket. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1652136980013-AI9BDTWAUL4TPFI026CH/Screenshot+2022-05-09+at+23.41.58.png The Gap - Testing Testing, one two - Casting the lights. Here we can see the process that goes into creating the shape of the Concrete Lampshade sculpture. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1652136960834-QFNJJI6QU3HAVRLWPLFW/Screenshot+2022-05-09+at+23.43.11.png The Gap - Testing Testing, one two - Plinth ideas. Looking at what kind of shape works for the plinth. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1652136968903-I3WXUAIZAWO2854QYJ3W/Screenshot+2022-05-09+at+23.43.01.png The Gap - Testing Testing, one two - Structural elements. I decided that the two sections of plinth need a third piece to extend it longways. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1652136983953-L339CV60Y5JXM2ELHUW1/Screenshot+2022-05-09+at+23.32.26.png The Gap - Testing Testing, one two - Looking at the materiality of concrete. In a test hang, I am able to get a sense of how the concrete contrasts the surroundings. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1652136974490-XOMNFXYG1ZS1UK0YKVW7/Screenshot+2022-05-09+at+23.42.22.png The Gap - Testing Testing, one two - Floating screens. A first look at how the screens will ‘perform’ as a sculpture in their own right. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1652136951394-GI6LQ9S331YGFO9F2Z4L/Screenshot+2022-05-09+at+23.44.18.png The Gap - Testing Testing, one two - Hanging in tandem. Together the works add interest and challenge each other spatially. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1652136955686-N9O0OYH83F1TU6Y9IY3A/Screenshot+2022-05-09+at+23.44.01.png The Gap - Testing Testing, one two - Suspended perceptions. Looking at objects that should be upon something takes the work into a new way of experiencing what the work does. https://www.stuleeart.com/the-gap/2022/5/9/hito-steyerl-a-journey-into-the-screen monthly 0.5 2022-05-09 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/74ed52f2-f930-4cdf-9e8f-b960689e812a/Screenshot+2022-05-09+at+13.23.24.png The Gap - Hito Steyerl: A journey into the screen. - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/48bb967c-6a5f-4a90-87c9-5979c8977188/Screenshot+2022-05-09+at+15.16.53.png The Gap - Hito Steyerl: A journey into the screen. - Make it stand out Fig. 1 Hito Steyerl, ‘Mission Accomplished: Belanciege’. Three screens stand in for the panel whom together deliver speeches to the attending public. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/0c2b1269-7a0a-4452-a386-3ea90d7a08da/Screenshot+2022-05-09+at+15.19.53.png The Gap - Hito Steyerl: A journey into the screen. - Make it stand out Hito Steyerl, ‘Mission Accomplished: Belanciege’. ‘Members’ of Steyerl’s Parliament address the viewer. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/242bae96-aa2a-4e19-aee1-df78391d076f/Screenshot+2022-05-09+at+17.23.17.png The Gap - Hito Steyerl: A journey into the screen. - Make it stand out Hito Steyerl, Hell Yeah We Fuck Die: Three-channel HD video file, duration 4:35 min, 2016 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/e6de9738-a6df-406f-894d-4eab42714756/Pasted+Graphic.jpg The Gap - Hito Steyerl: A journey into the screen. - Make it stand out Hito Steyerl, How Not to be Seen: A Fucking Didactic Educational .MOV File, 2013 Video (color, sound) Committee on Media and Performance Art Funds 219.2014 © 2022 Hito Steyerl https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/8ad3b9ea-5c86-4536-83a8-21b7ca18930b/Screenshot+2022-05-09+at+17.39.25.png The Gap - Hito Steyerl: A journey into the screen. - Make it stand out Hito Steyerl, Drill, 2019 Three-channel HD video in environment, color, sound, 21 min., 12 sec. Courtesy the artist, Andrew Kreps Gallery, New York and Esther Schipper, Berlin. https://www.stuleeart.com/the-gap/2022/5/8/elevated-topographies monthly 0.5 2022-05-09 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/757de56b-fdea-4b5c-b698-da3e10b2650a/Screenshot+2022-05-08+at+20.37.27.png The Gap - Elevated topographies and shifting cartographies - Make it stand out Fig. 1 One of my first bases for the non-functional pots I have been producing. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/bd7e9dcd-cedd-459f-ad12-70d028509109/Screenshot+2022-05-08+at+20.45.47.png The Gap - Elevated topographies and shifting cartographies - Make it stand out Fig. 2 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/3b78a6d0-2123-458a-a571-5492fb81ab25/Screenshot+2022-05-08+at+21.03.13.png The Gap - Elevated topographies and shifting cartographies - Make it stand out Fig. 3 A concrete wood assemblage for the Accidental Properties series. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/cb54f521-5d8d-4559-b930-8dddee8fcaf5/Screenshot+2022-05-08+at+21.04.15.png The Gap - Elevated topographies and shifting cartographies - Make it stand out Fig. 5 The fissure carries on through the terrain and resonates as affect in the sited object. This work is not about division more about what we find in the division. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/a430d35d-efdc-4586-9bbb-c427fd6afdbc/Screenshot+2022-05-08+at+20.43.15.png The Gap - Elevated topographies and shifting cartographies - Make it stand out Fig. 7 MDF wood bases before they go into the finishing workshop. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/aa50ad63-6acd-4fe4-a59e-24080d1548da/Screenshot+2022-05-08+at+20.38.50.png The Gap - Elevated topographies and shifting cartographies - Make it stand out Fig. 4 A wood base for a ceramic that works with displacement. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/416551cf-22aa-4978-80f5-27ad7c560ddd/Screenshot+2022-05-08+at+21.00.05.png The Gap - Elevated topographies and shifting cartographies - Make it stand out Fig. 6 The separated object across various terrains. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/b6fba00c-57d2-4b66-b465-3682283f7134/Screenshot+2022-05-03+at+12.22.09.png The Gap - Elevated topographies and shifting cartographies - Make it stand out Fig. 7b Accidental Properties: Essential Qualities. (continuous series 2019 - 2022) https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1652093082304-MDVKB78LVMXLB64GBG9V/Screenshot+2022-05-08+at+20.43.29.png The Gap - Elevated topographies and shifting cartographies - Fig. 8a The Plinths in the spray booth The colour was an arbitrary decision. Yet, takes its inspiration from clear undisturbed tropical waters. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1652093085530-6MEVUA3S2AS01NTLIXTU/Screenshot+2022-05-08+at+20.42.54.png The Gap - Elevated topographies and shifting cartographies - Fig. 8b Contrasting surfaces and openings A strategic move in reconstituting the pottery as an assemblage of itself. Buy cutting the ceramic at the wet stage and re-constituting the body, the work takes on a new state of being. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1652093097937-8IO0UMRGLP2UCVD799P3/Screenshot+2022-05-08+at+20.40.44.png The Gap - Elevated topographies and shifting cartographies - Fig. 8c Studio shots and work process. Working with glazes and discovering the delicate balance of oxides and silicates. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1652093098851-LK2WO6G6WQXLUJBE9ZHN/IMG_2208.jpeg The Gap - Elevated topographies and shifting cartographies - Fig. 8d Various conditions of the glazing process. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/d55b74fe-d4a6-45df-b17c-19c3d421e2d4/ezgif.com-gif-maker+%2815%29.gif The Gap - Elevated topographies and shifting cartographies - Make it stand out Fig. 9 The first accidental pottery of my degree. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1652094106372-A630W9FRTY6SAUGA5L5B/Screenshot%2B2022-05-09%2Bat%2B09.40.33.jpg The Gap - Elevated topographies and shifting cartographies - Accidental Properties: Essential Qualities. (continuous series 2019 - 2022) The removal of the struts, wires and plateaus, Levels the ontological positioning of how this work resides. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1652093844432-NI2NJG1TOBIUHYOXC91H/Screenshot+2022-05-08+at+21.04.15.png The Gap - Elevated topographies and shifting cartographies - Accidental Properties: Essential Qualities. (continuous series 2019 - 2022) Exploring the rupture https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1652093860022-SW20OT22ZQEJ9MXSDU2G/Screenshot+2022-05-08+at+20.44.31.png The Gap - Elevated topographies and shifting cartographies - Studio assemblage of works in their various forms on construction. A space to spend time with the works and their effects. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1652093859577-6R0BDBTZEU3FAW2QHXV1/Screenshot+2022-05-08+at+20.43.59.png The Gap - Elevated topographies and shifting cartographies - Accidental Properties: Essential Qualities. (continuous series 2019 - 2022) A sense of he cartographic. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1652093860817-O63LWL4Y2XVCTH6I166N/Screenshot+2022-05-08+at+20.43.43.png The Gap - Elevated topographies and shifting cartographies - Accidental Properties: Essential Qualities. (continuous series 2019 - 2022) Elements of structure combine with levels of support. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1652093870271-VNAKDV6F92O9SNIY8TBI/Screenshot+2022-05-08+at+20.42.15.png The Gap - Elevated topographies and shifting cartographies - Accidental Properties: Essential Qualities. (continuous series 2019 - 2022) A display of arranged works. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1652093862982-V2DY29Y95CHCP03M0C5T/Screenshot+2022-05-08+at+20.41.45.png The Gap - Elevated topographies and shifting cartographies - Accidental Properties: Essential Qualities. (continuous series 2019 - 2022) A deliberate placement of the purposeful. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1652093870305-CV982VIUFH4YG5ZG29JI/Screenshot+2022-05-08+at+20.41.26.png The Gap - Elevated topographies and shifting cartographies - Accidental Properties: Essential Qualities. (continuous series 2019 - 2022) The ceramic bases or terrains, are all from clay extracted from the grounds of the old Central House Campus site. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1652093873282-8Y1IZ7280ATLIRPNBO7J/Screenshot+2022-05-08+at+20.41.14.png The Gap - Elevated topographies and shifting cartographies - Accidental Properties: Essential Qualities. (continuous series 2019 - 2022) Above ground. The spaces between spaces. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1652093872600-TGZI8G0BINLPMPZPDXK5/Screenshot+2022-05-08+at+20.40.13.png The Gap - Elevated topographies and shifting cartographies - Accidental Properties: Essential Qualities. (continuous series 2019 - 2022) Experimental placements and delicate balances. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1652093873962-1K0SVFJ43JOELWI7C6GV/Screenshot+2022-05-08+at+20.39.51.png The Gap - Elevated topographies and shifting cartographies - Accidental Properties: Essential Qualities. (continuous series 2019 - 2022) Precarious footings of an unusual nature. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1652093876804-8C5VABJEP4FUKOBI9YLP/Screenshot+2022-05-08+at+20.39.20.png The Gap - Elevated topographies and shifting cartographies - Accidental Properties: Essential Qualities. (continuous series 2019 - 2022) Fragile surfaces and grounded bodies. https://www.stuleeart.com/the-gap/2022/5/6/42x7g0zqftgxl3k5qor9gzpo2sbw5w-2jt6p monthly 0.5 2022-05-07 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/0c7c47bd-eb1a-49f4-a1ea-c3724ca55d79/IMG_2214.jpeg The Gap - ObliQue STRATEGIES of the withdrawn - Make it stand out Fig. 1 The London Met carpentry workshop. A cast/mold rests on a workbench in mid construction. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1a564e6f-bd28-4d5c-bb3a-99699fc98ee6/Screenshot+2022-05-07+at+13.33.55.png The Gap - ObliQue STRATEGIES of the withdrawn - Make it stand out Fig. 1a Two test carcasses for the concrete lampshade major project. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/53690397-ad9f-4025-817a-fede90b8af25/155629_FIG+3-4_44f20eda-af50-44a8-bef3-477c0d9bd708.png The Gap - ObliQue STRATEGIES of the withdrawn - Make it stand out Fig. 2 Bruce Nauman,Musical Chairs, 1983. The Herbert Foundation, Gent, Artwork: © 2021 Bruce Nauman / Artists Rights Society (ARS), New York A similar mode of production can be drawn from the materials I choose to use. [1] https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1651935643546-7QUFW741BUWAUA9I8CM7/Screenshot+2022-05-07+at+13.33.43.png The Gap - ObliQue STRATEGIES of the withdrawn - Fig. 3 The fitting of the light to the carcass. The challenge here is to contain the light within materials which help take up space. This is to keep the weight of the sculpture down. This decision is based on the weight loading of the ceiling fixings in the university building. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1651935643264-9LVJQEELWZI2BCDLZ9M1/Screenshot+2022-05-07+at+13.33.24.png The Gap - ObliQue STRATEGIES of the withdrawn - Fig. 4 Testing of the light inside the carcass before pouring the concrete mix. The design is for the light to work inside the concrete. The electrical apparatus that go to making the light work, remain outside of the concrete and will tether to the suspension wire. https://www.stuleeart.com/the-gap/2022/5/6/elevated-spaces monthly 0.5 2022-05-07 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1651906539649-TY7MNYBWSSLU9834EOM0/Screenshot+2022-05-07+at+07.55.08.png The Gap - Spatial Relations: Testing ideas. - Fig. 1a A sketch of how I see the Major Project A drawing takes an idea to the next stage. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1651906535757-TASQJK0Y22GTYTRKN02A/IMG_0938.jpeg The Gap - Spatial Relations: Testing ideas. - Fig. 1b An early Major Project conceptualization A drawing takes in considerations of a space that is on offer, needed or required. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1651906611670-1PIL1TZUREBOJ5ELP0PK/Screenshot+2022-05-07+at+07.56.04.png The Gap - Spatial Relations: Testing ideas. - Fig. 1c Sketch of a crit idea This drawing brings the work into touch with the idea. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1651906602904-PCSMEL7IGKOG36ERA6T1/Screenshot+2022-05-07+at+07.56.17.png The Gap - Spatial Relations: Testing ideas. - Fig. 1d A technical drawing for the woodwork workshop This drawing develops the conceptualization. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1651868539329-R3N6QE8V3G0BPMOX0AUV/IMG_2189.jpeg The Gap - Spatial Relations: Testing ideas. - Fig. 2a Considerations for layout of Degree Show. With an upcoming curation project, I have taken this opportunity to play with the idea of space. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1651868538623-B2K873MFEQ5DIRT5QGC3/IMG_2184.jpeg The Gap - Spatial Relations: Testing ideas. - Fig. 2b Hanging points. I am very keen to have work suspended. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1651868545171-VNZUE03VDOHTTSQ1R69F/IMG_2183.jpeg The Gap - Spatial Relations: Testing ideas. - Fig. 2c Wire frames. By testing how suspension works I am finding the idea more appealing. There is something about relying on the structure of the building to act as a host to my work. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1651868545229-1E3NX7HBNHQ1NOV8JWM8/IMG_2185.jpeg The Gap - Spatial Relations: Testing ideas. - Fig. 2d Tethers and points Each suspended work not only needs to be safe and functional but also look aesthetically integral. complimenting and supporting the look of the hang. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/d389a52c-34ff-4f49-a870-6e19120dbc9c/8AE11516-471F-49ED-B4AE-13E57D398D43.JPG The Gap - Spatial Relations: Testing ideas. - Make it stand out Fig. 3 A digitally produced render of my Major Project. https://www.stuleeart.com/the-gap/2022/5/5/n7t5l3i2hhw99u1bm8lge6joj6v7n8 monthly 0.5 2022-05-07 https://www.stuleeart.com/the-gap/2022/4/23/a-unity-of-opposites monthly 0.5 2022-05-09 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/a6516be3-d248-42d2-a139-d16f5ebf7059/Screenshot+2022-05-05+at+08.58.11.png The Gap - A unity of opposites. - Make it stand out Fig. 2 Rachel Whiteread, Ghost 1990. © Rachel Whiteread. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/b6180fde-f80a-4add-a4a8-d453c4fa5ca1/Screenshot+2022-05-05+at+08.34.22.png The Gap - A unity of opposites. - Make it stand out Fig. 1 My studio space. Putting things next to things. Taking in the considerations of how things ‘come into contact with other things’ https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1c232c34-fe48-4f35-b8f1-e6417b730b58/IMG_3923.jpeg The Gap - A unity of opposites. - Make it stand out Fig. 3 FULCRUM RICHARD SERRA (BORN 1939, US) COR-TEN STEEL SHEETS, 1987 BROADGATE CIRCLE https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/150e669c-2810-4ab2-87ec-c8cb2c8202c1/Screenshot+2022-05-05+at+11.43.48.png The Gap - A unity of opposites. - Make it stand out Bruce Nauman: Concrete Tape Recorder Piece, 1968, concrete, tape recorder, tape, 30.5 x 61 x 61 cm; photo A. Burger, Zurich; courtesy Flick Collection https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/52fafbb1-7281-4a43-a824-29a49eb53170/Screenshot+2022-05-05+at+11.48.09.png The Gap - A unity of opposites. - Make it stand out Stuart Lee, Concrete Lampshade (2020) https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/b18b9699-d3af-488e-8db6-acb9aeb1d66c/Screenshot+2022-05-05+at+09.26.31.png The Gap - A unity of opposites. - Make it stand out Fig. 4 Sarah Sze Centrifuge as discussed by Bruno Latour. Courtesy the artist, Tanya Bonakdar gallery, Victoria Miro gallery. © Sarah Sze. https://www.stuleeart.com/the-gap/2022/4/23/suspending-thought-holding-objects-in-thinking monthly 0.5 2022-04-23 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/5c1c5791-83af-4913-bcc8-8784d91bc784/IMG_2004.jpeg The Gap - Suspending Thought: Holding Objects in Thinking. - Make it stand out Fig. 1 Concrete Lamp Shade (2020) An example of work that maintains an autonomy from a direct object relation fixed in definition alone. https://www.stuleeart.com/the-gap/2022/4/22/9n83cu63cjf3k1oeaimgwza7q9nyym monthly 0.5 2022-04-23 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1650665978030-SL3X25389H7U6NX3MNPM/IMG_1477.jpeg The Gap - Thinking and Doing: Accessing One Via the Other - Fig. 1 The nature of natural behaviours. What does it mean to exist alongside objects of force, division and stability. These attributes of environment rely on conditions outside of thought. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1650667370272-6B9GTZZ7T2UJLCEKYEUG/IMG_1020.jpeg The Gap - Thinking and Doing: Accessing One Via the Other - Fig. 2 Extended fissures. What happens when separation permeates living and existence? https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1650665972652-JTEBP8B2ZVCKP3HHZ9NO/IMG_1452.jpeg The Gap - Thinking and Doing: Accessing One Via the Other - Object placement. Considering not only the construction, but how these objects interact and occupy space. This consideration of space is important as I approach my final project. Considering object placement can be explored through these experimentations. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1650665992954-2QZKILSFA89RMYXGAYBM/IMG_1484.jpeg The Gap - Thinking and Doing: Accessing One Via the Other - Residency. What I find interesting here, is the fact that what we perceive in our reception to things, exist outside of our knowledge. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1650665992707-0B2BT5UD2U0I0A5KXOKX/IMG_1330.jpeg The Gap - Thinking and Doing: Accessing One Via the Other - Investigations of the 'thing'. This analysis looks at forensically investigating the broken part, the discarded parts of the creative process. Taking this method to assess ‘bits of stuff’ we can extract any deeper essentialisms that may be lurking in the midst of ‘things being’. This way of seeing is inspired trough my research and methods of approach to making. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1650665995289-PDJ4F7ZR5DIRP9ODJRHE/IMG_1324.jpeg The Gap - Thinking and Doing: Accessing One Via the Other - Vital things. Balance is juxtaposing a terrain that is out of balance. Hierarchies have the potential to place objects ‘out of reach’. Therefore, bringing a vitality to the notion of connection. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1650665996249-QJY60SVF7WBR5SRRMC47/IMG_1318.jpeg The Gap - Thinking and Doing: Accessing One Via the Other - Experimenting connections. Using a Object-Oriented Ontological approach to how things come into contact with each other. these connections according to Graham Harman, create “tensions.” I interpret the idea of tensions into what elements survive pressures and forces. This further embodies the existence of potential. Things that exist in states of becoming and emergence. https://www.stuleeart.com/the-gap/2022/4/17/zo8bnwmf99l99vvzqpf0fbsjyuti5k monthly 0.5 2022-04-23 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/da526028-2579-4392-97d1-20f4823c3a21/Screenshot+2022-04-16+at+22.53.27.png The Gap - Volatile landscapes. - Make it stand out Stuart Lee, Accidental Properties: Continuous series 2020 – 2022 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/129f9907-a676-4551-84f1-8560a7ec0480/IMG_5376.jpeg The Gap - Volatile landscapes. - Make it stand out Fig. 1. Objects of illusion. A selection of my “Non-functional Potteries.” https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/eeb3d4f7-0664-4c97-b5d3-d0f4fd42977e/IMG_0160.jpeg The Gap - Volatile landscapes. - Make it stand out Fig. 2. Stuart Lee: Accidental Properties: Continuous Series (2021) Works looking for context. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1650702944745-YQBAQZYVHX5PO3MR1A0M/IMG_1249.jpeg The Gap - Volatile landscapes. - Fig. 3 Experimenting with the colours associated with hazard. As soon as we introduce the colour associated with hazard, we inject an element of warning. therefore the work registers in the future. This displacement acts as a strategy of my method. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1650702940031-4JBWYC5KQMNS6T4Z1KIV/IMG_1260.jpeg The Gap - Volatile landscapes. - Fig. 4 Looking at the element of suspension. Suspension is a key feature of my ontological investigations at the moment when I consider what critical elements my practice is dealing with. https://www.stuleeart.com/the-gap/2022/4/16/studio-diaries monthly 0.5 2022-05-09 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/6ceaf618-975c-41af-b369-80fb4e539ebd/Screenshot+2022-04-16+at+23.00.42.png The Gap - Studio diaries. - Make it stand out November 2021, an abandoned basement becomes a temporary workspace. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/646780aa-ffe2-4baa-8289-4f621ba56175/Screenshot+2022-04-16+at+23.16.59.png The Gap - Studio diaries. - Make it stand out Fig. 1, Reckoner II 2021, Reckoner II, is a pre-visualisation of a conceptual installation currently in its proposal stage. Suspended in the air are three concrete sculptures. Each sculpture entombs a fully functional fluorescent bulb. On the ground is a wooden plinth. Mounted in this part of the display, are three copper rods. The copper rods contain live current. The presence or threat contained within this whole work is hidden or out of reach. This ‘presence’ is symbolic of that which, in today’s contemporary life, has the human race at risk, or at least for some, routes to safety, are presented with barriers. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/8f34a5ad-36ec-467d-b1a8-9e9fbe1de9f9/Screenshot+2022-04-16+at+23.00.07.png The Gap - Studio diaries. - Make it stand out Calcutta Annex Basement Dec 2021, The space to make work also becomes a place to develop ideas and try things out. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/8f647c43-9e21-4604-8c99-95785c8b95c9/Screenshot+2022-04-16+at+23.00.23.png The Gap - Studio diaries. - Make it stand out Calcutta Annex Basement Dec 2021, A cleaned up space with a dark space to test Video Installation works. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1650193399241-HSN0EIOAF6HDB8XZJSU0/Screenshot+2022-04-17+at+12.01.45.png The Gap - Studio diaries. - Major Project maquette construction. The first attempt at taking the idea from journal to model. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1650193392842-4XX3ATRC91B12CZ9EKM5/Screenshot+2022-04-17+at+12.02.19.png The Gap - Studio diaries. - Concrete Lampshade (2021) Painting wood with glue and cement. Models of my concrete casts. Using research into the 1960s minimalist movement. Proponents like Donald Judd, Bruce Nauman, and Richard Serra right the way up to Rachel Whiteread and Doris Salcedo have continued to underpin what I see as a continuation of the ‘Silent Sculpture’ https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1650193391163-SUF1T7AY8XRRCK22OPJC/Screenshot+2022-04-17+at+12.02.44.png The Gap - Studio diaries. - Reckoner (2021) Here I am using the external architecture to bring through the idea of relationship and how the work exists alongside and in conjunction with the space external to the display. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1650193013443-70IYZESWO4YVLR7U3GJJ/Screenshot+2022-04-17+at+11.56.33.png The Gap - Studio diaries. - External environments. Again, I am utilising the external architecture as a key feature of the display. This works really well in expanding and simplifying the viewership of the experience. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1650193022173-41LIILWFLOP6EOUXAB99/Screenshot+2022-04-17+at+11.55.50.png The Gap - Studio diaries. - External aesthetics. To help bring an idea to life I have continued to research other established artists in their approach to using the model to bring an idea to the fore. These include Rachel Whiteread and Doris Salcedo. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1650193025039-HUBPB2SYIP1XQT4EX0AB/Screenshot+2022-04-17+at+11.55.35.png The Gap - Studio diaries. - Using notes and references. Here I am demonstrating the layout of what would be required to take an idea out of the studio space and into the real world. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1650193489569-GGM0ZSW37IFV4HFBVJ6W/IMG_8366.jpeg The Gap - Studio diaries. - Photography as research. Using attributes of the building I am able to bring together the components needed to visualise an idea. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1650193497663-NOHTO2Y4FFHFMDFSZ758/IMG_8335.jpeg The Gap - Studio diaries. - External conditions. Researching the scope of limitations that produce themselves in the real world via photography and site visits. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1650193489642-605FNERHBF58EQILND5Y/IMG_8341.jpeg The Gap - Studio diaries. - Testing as research. Putting ideas into form brings about an object to consider and evaluate. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1650195643427-GM7CLJQLDLQBACYZ2Z2N/rw333_yaBvi3m.width-1200.jpg The Gap - Studio diaries. - Rachel Whiteread maquette. Through my research into other artists, I am starting to develop my own socio-cultural frameworks of meaning into my work. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1650195643436-XDBD73EJ28L0WM1H4RLJ/rw2222_xSlTYwx.width-1200.jpg The Gap - Studio diaries. - Rachel Whiteread cutouts. My work is an investigation into the removed. I started to develop this understanding through learning about negative space (Nauman) and the shy sculpture (Whiteread) These avenues have led to me understanding how my work finds its meaning in the withdrawn elements of things that exist in the background of the everyday. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/fdbf5f28-bccf-4341-8126-0c2616847a60/Screenshot+2022-04-16+at+23.55.24.png The Gap - Studio diaries. - Make it stand out Fig. 2a A ceramic firing that went completely wrong due to too much oxide compound being in the glaze. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/93d88da2-8b80-4ecb-b421-cc7740ab313b/Screenshot+2022-04-16+at+23.59.39.png The Gap - Studio diaries. - Make it stand out Fig 2b, The same misfired works presented as an exploration into ‘Strange and Unfamiliar Terrains’. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/e54b725b-677a-4f03-80c5-32fa8ef1b1d8/Screenshot+2022-04-16+at+23.56.12.png The Gap - Studio diaries. - Make it stand out Fig. 2c Adding a mirrored display cabinet underpins the arrangement, immediately removing the accidental element of production. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/cf9633bc-fea4-41bc-a5f5-80740f237735/Screenshot+2022-04-16+at+23.59.55.png The Gap - Studio diaries. - Make it stand out Fig. 2d An exploration into the fissure. Divisions and separate locations become the context of this work. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/2a5f3710-00f2-4989-a4bd-b70c4c97f15d/IMG_9583.JPG The Gap - Studio diaries. - Make it stand out Two paintings Blackstar (2016) And Self Portrait (2021) in my new studio space in east London. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/107e9f97-36ad-4b47-ab31-01bc0270a2b5/Screenshot+2022-04-17+at+13.52.01.png The Gap - Studio diaries. - Make it stand out The Same two paintings in a gallery setting. The relations of the space create a chance for the viewer to engage in a critical distance to the work. https://www.stuleeart.com/the-gap/2022/4/16/a-letter-to-goldsmiths-and-the-rca monthly 0.5 2022-04-17 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/5f434130-6824-45c8-b706-5ddeb642f0ff/Screenshot+2022-04-16+at+22.10.16.png The Gap - Postgraduate applications. - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/e35ff71c-11ca-4a1f-9e71-61ff38e4176e/Screenshot+2022-04-16+at+22.09.06.png The Gap - Postgraduate applications. - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/46e15922-f656-4189-85d7-6fc938f1771f/Screenshot+2022-04-16+at+22.09.17.png The Gap - Postgraduate applications. - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.stuleeart.com/the-gap/2022/4/3/hemk9wq55464ed8kwewbv72fbur2u4 monthly 0.5 2022-05-09 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1b54eb57-5abc-4286-b033-2b6ddbd6f205/Screenshot+2022-04-16+at+13.22.45.png The Gap - Post-production: moving on - Make it stand out ACME Contract. The paperwork for my new studio in Haggerston https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/a0029378-efe1-4f03-9558-3fe223ebacb2/Screenshot+2022-04-16+at+13.18.07.png The Gap - Post-production: moving on - Make it stand out First Day in the studio located in Haggerston. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1650123851502-0FCRDWUL5GU609ENQNQE/Screenshot+2022-04-16+at+13.20.46.png The Gap - Post-production: moving on - My studio in Hackney. Using the space to develop my practice and combine what it is I have learnt so far and expand on my university experience. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1650123846093-VUBJRRZNFZ9N4HYPOLBL/Screenshot+2022-04-16+at+13.20.03.png The Gap - Post-production: moving on - Artwork development. Using the studio as a place to experiment with style of production. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1650123855321-MOJUJOFJKP4R4Q6GY3HS/Screenshot+2022-04-16+at+13.19.17.png The Gap - Post-production: moving on - Early days. After seeing a Damian Hirst exhibition, I wanted to experiment with bold single colour canvases. The studio was a perfect place to ‘try out’ and asses if it was an stylistic avenue i want to pursue. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/eeb8cf30-8d74-487d-95d5-253639a01314/Screenshot+2022-01-13+at+16.41.34.png The Gap - Post-production: moving on - Make it stand out Fig. 2, Concrete Lampshade 2021. A work that investigates the withdrawn elements of existence, appearance and latency. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/81e936b8-db17-40ba-a9e7-df184c3c41b4/Screenshot+2022-04-16+at+19.56.21.png The Gap - Post-production: moving on - Make it stand out Katy Macleod (ed.) Thinking Through Art: Reflections on Art as Research 2013 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1650140714628-ACXVCIT5IF5JEYJO0BZB/Screenshot+2022-04-16+at+20.53.37.png The Gap - Post-production: moving on - Masters application example. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1650140708582-5H2WIXHA7KI0F43WLH6L/Screenshot+2022-04-16+at+20.54.52.png The Gap - Post-production: moving on - Masters application example. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1650140708822-9U5T480WEGZJ96JS2CB6/Screenshot+2022-04-16+at+20.54.40.png The Gap - Post-production: moving on - Masters application example. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1650140711623-Z92GJG1GWBT1N7UVBEUK/Screenshot+2022-04-16+at+20.54.21.png The Gap - Post-production: moving on - Masters application example. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1650140712011-QMDQZKQXL8Q68Y1KCMP1/Screenshot+2022-04-16+at+20.54.01.png The Gap - Post-production: moving on - Masters application example. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1650140713585-49SYV3IXSTA1MYA6VU1Z/Screenshot+2022-04-16+at+20.53.49.png The Gap - Post-production: moving on - Masters application example. https://www.stuleeart.com/the-gap/2022/4/5/videotape monthly 0.5 2022-05-06 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/6a25a1ce-d8d1-419f-8366-d7412bb0e137/Screenshot+2022-04-08+at+09.06.39.png The Gap - Video_ta/pe - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/d7654818-77c7-47a6-b925-445abe7f2341/steyerl_nottobeseen1-469x264.jpg The Gap - Video_ta/pe - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1650108353134-NASN8IZZ1A4KM7JDLVVV/Screenshot+2022-04-01+at+18.24.49.png The Gap - Video_ta/pe - Experimenting with film Over the course of block 2, I have been experimenting with film. The search is to find if a film can produce an environment or atmosphere. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1650108353710-B0HL2W305OD8WW5C9OQ8/Screenshot+2022-04-05+at+13.27.45.png The Gap - Video_ta/pe - Screenshot from a filtered image. I have been experimenting with filters, thus adding extra dimensions to images. I personally find these interesting, but can be out of context very easily and too performative. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1650108390426-S0WC69GSM5QZBUB9PZWP/IMG_0149.jpeg The Gap - Video_ta/pe - Making plinths. Using the workshops to make wooden plinths for my ceramic works. These artworks require a vastly different method and process that I have to combat when inside the making process. With film, I am studying how things come together over time. In ceramics, the narrative is more about the embodiment of object qualities. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1650108385668-E1NIJO38TX5VUY3AS8W1/IMG_0160.jpeg The Gap - Video_ta/pe - Fragile Terrains An example of a developmental work that investigate site, terrain, placement and being. I am trying to embody what it is to exist and the places and stabilities we need to facilitate such ways of being. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1650108396464-FJOY4TGLNENHIWBPJKC9/Screenshot+2022-03-08+at+14.43.40.png The Gap - Video_ta/pe - Cityscape I An experimental film that explores our relationship with places, sites and the architecture of modernity. I am probing what it means to anthropomorphize places - in this example - “The City” - and how these relationships manifest or subjection via the networks, systems and institutional practices that govern and control our lives. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1650108628284-IC6QSRD19PH6GNZ7O7K6/Screenshot+2022-04-16+at+12.30.03.png The Gap - Video_ta/pe - Experimental work. This piece further develops what it is to live in a fractured state. Broken elements of the material echo the tensions between objects and forms, structures and foundations. The support systems in place are exemplified through the entanglement with our environments. this is given over in the work by the fragile state of construction. https://www.stuleeart.com/the-gap/2022/4/1/evolving-terrains monthly 0.5 2022-04-22 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/10de0092-8fb8-456c-ba12-7d92b0c14c21/IMG_0206.jpeg The Gap - Evolving Terrains - Make it stand out Fig. 1 Exhibit from the Theaster Gates: A Clay Sermon, Whitechapel Gallery. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/d8280e86-cc6b-4f38-a3c2-459c3fe9a66e/Screenshot+2022-04-05+at+14.52.29.png The Gap - Evolving Terrains - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/737b4b20-e543-4a11-a792-0749c7963dda/IMG_0922.jpeg The Gap - Evolving Terrains - Make it stand out Stuart Lee, 2019. This work from year one has continued to remain the start of a continuing body of material investigation into being. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/e8ab47a7-e1a4-4932-94b5-fe4be2db3956/IMG_1004.jpeg The Gap - Evolving Terrains - Make it stand out Fig. 2. A pre-fired unglazed ceramic. For me this embodies ‘autonomy’ over description, effect or end result. https://www.stuleeart.com/the-gap/2022/4/1/cityscape-looming-futures-within-passing-moments monthly 0.5 2022-04-17 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1648833970310-D50JL43M0Z019LA5LBO9/Screenshot+2022-04-01+at+18.24.39.png The Gap - Cityscape: Looming Futures Within Passing Moments - Fig. 1, Setting projectors in basement to test how the film would look in black out conditions. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1648833961276-D1Z7J8D1IZJY414DXJXP/Screenshot+2022-04-01+at+18.25.03.png The Gap - Cityscape: Looming Futures Within Passing Moments - Fig. 2 Running audio via a laptop and speakers. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1648833961909-PQ91N2OIBFSBYLGSK9F4/Screenshot+2022-04-01+at+18.24.49.png The Gap - Cityscape: Looming Futures Within Passing Moments - Fig. 3 Two proctors. The orange one has the image 'shuttered'. (cropped physically) https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1df3055c-c60e-4daf-905b-578de96fc713/FFAD8192-AD19-4D9D-AA23-77F2FE2B79A3.jpeg The Gap - Cityscape: Looming Futures Within Passing Moments - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/0a2abfac-2e8c-4c27-be16-1e02150a0bd4/Screenshot+2022-04-17+at+13.14.50.jpg The Gap - Cityscape: Looming Futures Within Passing Moments - Make it stand out Stuart Lee, Untitled (2021) https://www.stuleeart.com/the-gap/2022/3/10/jb8ocmgvn4r9ii5ulnmao5bg6c4ipi monthly 0.5 2022-04-01 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/56c60d1e-ec2e-416b-8efd-bc3b76ec98ce/IMG_9042.jpeg The Gap - Spaces in Places: Revelations Within the Fissure. - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1648038986409-F46V716PEZXSURPOGYC6/WhatsApp+Image+2021-08-25+at+10.41.43.jpeg The Gap - Spaces in Places: Revelations Within the Fissure. - Deleuzian Plateaus (2021) [Working Title] Above is a rolled out slab of London Clay. This clay has been extracted from the ground of the old Central House site of the previous Aldgate campus. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1648040487536-FD83FOB2D947FU00LP9J/Screenshot+2022-03-23+at+12.52.43.png The Gap - Spaces in Places: Revelations Within the Fissure. - Ceramics workshop - "Slabbing" After a conversation with the studio technician Harvey, I wanted to see what properties the London Clay contained. At this point, I had not really considered what I would do with the outcome. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1648038657426-RMOA03RIRL99RQMCV2TC/Screenshot+2022-03-23+at+12.30.13.png The Gap - Spaces in Places: Revelations Within the Fissure. - Artefact #17 As part of the continuation in sculptural experimentation, this glazed- but pre-fired work, questions my response to how this work should or could be displayed. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1648038657417-NQE00EM0TWJSRS7MHLAO/Screenshot+2022-03-23+at+12.30.24.png The Gap - Spaces in Places: Revelations Within the Fissure. - Throwing wheel paddle. The circular pattern is from the cutting wire going through the clay after casting on the potting wheel and removing the cast pot from the paddle. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1648038504832-P1W16GEHESO3WKVPXW4O/IMG_9675.jpeg The Gap - Spaces in Places: Revelations Within the Fissure. - Deleuzian Plateau #01, (2021) In response to investigations into research of hierarchy, hegemony and placement, this test piece embodies connections between “periphery […] and social formation.” (Deleuze and Guattari, 1987) https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1647985683433-JZQ6HWRR2LMZTLG7W4MI/IMG_7300.jpeg The Gap - Spaces in Places: Revelations Within the Fissure. - The Gap Series. Pot 21. Bisque fired artwork, early Aug 21 This pot broke before firing. As part of my decision making process I have tried to work with the accident. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1647985682425-66TVT1QJBGD0WB2FVQM9/IMG_8265.jpeg The Gap - Spaces in Places: Revelations Within the Fissure. - Working with the accident. For me, there is something deeper in the precarious placement of the broken pieces. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1647985693346-FM1BTDY9KG69OWR2XO0D/IMG_9312.jpeg The Gap - Spaces in Places: Revelations Within the Fissure. - First 'Terrain'. Looking at display, this ceramic pulled from the grounds of the old London Met site at Central House, acts as a footing for my Accidental Properties series of ceramics. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1647985702546-R79TXRBYK57Q6INX15I6/IMG_9315.jpeg The Gap - Spaces in Places: Revelations Within the Fissure. - Pre-glazed 'Terrain'. Experimenting with glaze so as to produce a foundation for my casts. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1647985703974-7NZPHTHDYQON0ILZ37R2/IMG_9319.jpeg The Gap - Spaces in Places: Revelations Within the Fissure. - Pre-firing. The clay, now bisque fired takes an application of glaze. The mix is 10% copper oxide, 10% Calcium Carbonate and 80% Egyptian Blue Crackle glaze. https://www.stuleeart.com/the-gap/2022/3/25/mxy5452xp6grt6nso50e6uay28s59s monthly 0.5 2022-04-03 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/88186e17-f2b9-47b8-85aa-e0a4a2aaf98d/E67B625C-D09B-44AE-8DD6-7E417489E4F6.jpeg The Gap - Arrested development - Make it stand out Fig. 1, The start of what became a test space to try works within ‘space’. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/ed7bafdb-ce7b-4231-9fa7-34acd82fac9d/DF5332BB-8720-4EFE-84D9-4B57E159BF74.jpeg The Gap - Arrested development - Make it stand out Fig. 2, Construction of the ‘room’. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/b60c64ca-5909-46c9-842e-afa5a1be3b3a/17B5D6DE-0BDA-48CC-BC17-B4BBDB1BA529.jpeg The Gap - Arrested development - Make it stand out Fig. 3, Concrete Lampshade. Work in progress hanging for a crit. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/8237dbc2-e4b4-472d-aa1a-6cf973386d55/B62368B3-E5D0-401C-8AAD-CA24A78C5B62.jpeg The Gap - Arrested development - Make it stand out Fig. 4, A broken ceramic sculpture sits underneath Concrete Lampshade. https://www.stuleeart.com/the-gap/2021/11/27/shes-a-model monthly 0.5 2022-03-22 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/163d3809-9317-4474-b4b3-98fbc2afc436/IMG_8633.jpeg The Gap - She's a Model... - Make it stand out Fig. 1, Maquette of an idea that may become my end of year project proposal https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/22ea3c5c-1159-4fa8-b48d-ec19d7e64de5/Screenshot+2022-03-08+at+14.23.49.png The Gap - She's a Model... - Make it stand out Fig. 2, “Once Upon a Time” (2002), left, and “Static” (2009), right. Credit. Richard Ivey https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1646750724371-9VXWCH62ZRQ1G115CHRU/Screenshot+2022-03-08+at+14.44.25.png The Gap - She's a Model... - Fig.3. Screenshot of 1:1 content. This still is of the 1:1 content that causes black margins on the screen https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1646750726964-IPYKFL1KZCQJ42FCTS0O/Screenshot+2022-03-08+at+14.43.40.png The Gap - She's a Model... - Fig. 3a. Screenshot of 16:9 content. This still is of the 16:9 content that takes full width of the film https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/54d5f592-23f8-4c03-a895-3bb4feae2d2f/436D3297-C92C-4151-ABFE-0EE16D196497.jpeg The Gap - She's a Model... - Make it stand out Fig. 4, Stuart Lee (2021) Working nots on a screen idea. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1646764015899-JQ03JLI8VE8NHFVS4PZV/IMG_9031.jpeg The Gap - She's a Model... - Fig. 5, Working with wood and fiber board to make Maquettes https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1646764020085-NFDQB8B573IHRA4PVZIO/IMG_8049.jpeg The Gap - She's a Model... - Fig. 6, Screen room model with screen rested on the top. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1646764016559-258ESASP05WGWNW3A4G6/IMG_8792.jpeg The Gap - She's a Model... - Fig. 7, Experimenting with what differing spaces may look like. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1646765473486-PVOV5LCG4DCHGIG1IBSM/Screenshot+2022-03-08+at+18.43.39.png The Gap - She's a Model... - Fig. 8, Christo and Jeanne-Claude, Corridor Store Front Project, scale model 1966-1967 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1646765714481-ROHBA4LE65K5FPIRA08O/IMG_8135.jpeg The Gap - She's a Model... - Fig. 9, https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1646934728023-K11M3Y5O59C6ESMPB781/IMG_8099.jpeg The Gap - She's a Model... - Fig. 10, Pre-hang view from 'doorway'. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1646933268465-P7EBBFOXVDTL8QGWOA2U/IMG_8169.jpeg The Gap - She's a Model... - Fig. 11, Inside view of the maquette of my final project proposal. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1646933268699-M3U055MZ3IOIX1SOKZ5Q/IMG_8181.jpeg The Gap - She's a Model... - Fig. 12, Overview of exhibition as seen from the suspension point in the ceiling. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/76b31b5e-ac77-4daf-bd89-f3d73b889008/Lygia-Clark-Maquete-para-Interior-No-1-1955-1.jpg The Gap - She's a Model... - Make it stand out Lygia Clark - Maquete para Interior No. 1, 1955 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/7c1618d5-82ce-47be-9992-c7e8a20b71fd/Screenshot+2022-03-15+at+08.23.07.jpg The Gap - She's a Model... - Make it stand out Lygia Clark, Construa Você Mesmo Seu Espaço para Viver (1964). https://www.stuleeart.com/the-gap/2021/11/27/deleuzian-plateaus monthly 0.5 2022-04-01 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/2eccc28d-2ef3-49a0-a5c2-bdc8eec9d9aa/IMG_9382.jpeg The Gap - Deleuzian Plateaus - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/04d8780d-70ab-483b-b866-fec395e340c5/3406D79B-3E48-4A5B-86F0-6A06F8E0CF84.jpeg The Gap - Deleuzian Plateaus - Make it stand out Fig. 1, Stu Lee, October 2021, Five pots from a second wave of experimental works which develop the idea of accidental properties. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/3c24fcfa-373f-4901-8937-9d735254b60d/IMG_7089.jpeg The Gap - Deleuzian Plateaus - Make it stand out Fig. 2 , A wet cast pre-fired pottery on a purpose made ‘Plinth’ https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/2eb32ef4-a7c7-41f4-a457-16816413309d/IMG_9372.jpeg The Gap - Deleuzian Plateaus - Make it stand out Fig. 3, Three of my ‘Accidental Properties series are placed on a plank of wood. https://www.stuleeart.com/the-gap/2021/11/27/gr74y4i1rws1jfys45mv9cnjiihdro monthly 0.5 2022-05-06 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1649163255307-QKGJP7TRTZK5PM64MIHQ/IMG_2381.PNG The Gap - Arias of Past Laments - iMovie Projects space on my iPhone. I constantly remake and over layer either captured images or short clips of film. The nature is slightly diaristic. Yet with a creative agency to allow artist experimentation. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1649163272490-OZMYD73WTYN0OPCY120G/IMG_2380.PNG The Gap - Arias of Past Laments - Numbered movies in grids What is interesting, is the dependence on cloud based storage, which acts as a - and I use a term here from Rosalind Krauss - ‘technical support’. No studio space is required in the same way as, say, a painting or sculpture. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1649163269942-PIO3BMGV3TXXNYPDLGO3/IMG_2379.PNG The Gap - Arias of Past Laments - Typical "workspace" The editing and layering uses very basic parameters. This elementary style approach, for me, requires that I refine my process and utilize the available editing features in a more potent way. I am always looking to find the limitations of what an image can produce, before it becomes “lost” in the intention. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1649163521979-RUHMBWJPYEW91AWRBS0B/27B57561-44E3-4021-ADE8-DD481E0642FF.JPG The Gap - Arias of Past Laments - Each 'Tile' is a potential. I have struggled over that course of my degree as to whether using a phone is artistic, traditional or garners merit, in our ever changing world. This viewpoint is not fixed and the more I use a ‘device’ then the device becomes just another tool in my method of production. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/4bd05884-e7dc-40ca-9873-fe302cc382a2/IMG_2385.PNG The Gap - Arias of Past Laments - Make it stand out Fig. a, Example of Green/Blue Screen attribute. The produced effect allows the removal of digital elements to either enhance an image to produce further impactful and resonant stimuli or interfere with elements of the image below. https://www.stuleeart.com/the-gap/2021/11/27/140-characters-or-less monthly 0.5 2022-04-01 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/a9ba97f7-b1a4-430a-b622-1a112b1cc562/21F65B24-F98E-43E3-8944-F4325ABB18AD.jpg The Gap - 140 Characters or Less. - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/585c95c1-77b8-49d2-b6ae-96385277a92f/Ringmark+2010+.png The Gap - 140 Characters or Less. - Make it stand out Fig. 1, Rachel Whiteread Ringmark (2010) 0.8mm laser-cut stained-black plywood mounted on Heritage Conservation board 61 x 53 cm https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/f39d16e6-1ad8-4307-a37b-29d8b6678b16/IMG_9181.jpg The Gap - 140 Characters or Less. - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.stuleeart.com/the-gap/2021/11/25/why-sweeping-the-studio-floor-is-as-important-as-making-art monthly 0.5 2022-01-04 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/9a30ef1e-2dcc-4dba-8ccd-303b48687955/IMG_5458.jpg The Gap - Why Sweeping the Studio Floor is as Important as Making Art. - Make it stand out fig. 1 A pestle and mortar from the ceramics studio of London Metropolitan University containing Egyption Blue crackle glaze. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/5795a70a-5ebf-48e0-b0c7-c649791cab39/Screenshot+2021-11-25+at+18.31.43.jpg The Gap - Why Sweeping the Studio Floor is as Important as Making Art. - Make it stand out Fig. 2, Sabine Weiss, Alberto Giacometti in his studio, 1954, Subsequent silver print mounted on paper, Photography, 29.7 x 19.6 cm https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/8d7c04d3-3f16-47e3-bfc8-5618bfdc1392/Screenshot+2021-11-26+at+18.12.31.jpg The Gap - Why Sweeping the Studio Floor is as Important as Making Art. - Make it stand out Fig. 2. Interior of Francis Bacon’s studio at 7 Reece Mews, London. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/310c4195-6da4-410f-af6c-30443a8635d0/Screenshot+2021-11-26+at+18.10.39.jpg The Gap - Why Sweeping the Studio Floor is as Important as Making Art. - Make it stand out Fig. 3. Entrance to Bacon’s studio from the seemingly tidy living space. https://www.stuleeart.com/the-gap/2021/10/18/somewhere-in-between monthly 0.5 2022-04-03 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1634540173601-6Z5DFB3UWR1M7H82O0X5/IMG_6846.jpeg The Gap - Somewhere in between - Make it stand out Constricted sky (2021). Photograph taken on a walk. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1634541371988-PWHTY5TV7QF9J51ZECGH/IMG_7180.jpeg The Gap - Somewhere in between - Make it stand out One of the L6 Year products that I am producing in ceramics. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1634541450051-SG7YTGN7VJUSW5JWRC6Z/IMG_7089.jpeg The Gap - Somewhere in between - Make it stand out Fragile Terrains Series (2021). This ceramic sit on a vulnerable plinth. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1634554805898-QY1QY3NBV98Q2FELB73U/40731401-E5A3-4EB4-9B89-13251E083CC2.jpeg The Gap - Somewhere in between - Make it stand out Stuart Lee (2021) Notes from my journal. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/22e88ddf-33be-478e-9f16-c9865f8cab77/5701FE83-05D1-4F1F-B5F4-9E9BD855EB19.jpeg The Gap - Somewhere in between - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.stuleeart.com/the-gap/2021/10/11/9ff9g4pougui50nsupnqcl58vnmpkn monthly 0.5 2022-04-01 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/1633955824590-8EWGKAP1V1VF5YTQIK70/dhs3823_0_1280_0.jpg The Gap - FA6010 2D24180F3EF9873E9FA055C068B0684F53B613B59A20E121FE62375B4994ABE5 - Make it stand out ‘Abalone Acetone Powder’ (1991). Photographed by Alex Hartley © Damien Hirst and Science Ltd. All rights reserved, DACS 2012 Hirst has served as a source of intrigue of late within my growing understanding of how to ‘be’ an artist in a panoptical world of viewership. https://www.stuleeart.com/research daily 0.75 2024-10-30 https://www.stuleeart.com/research/2024/9/14/iteration-1 monthly 0.5 2025-02-21 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/44709379-1683-40e8-b8bf-7569458fea81/IMG_1607.PNG 4:33 - Iteration #1 - Make it stand out Film Still, Iteration #1 An Artist Learning the Cello - first studio iteration from July 2023 at the Royal College of Art. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/bce5e39b-0ee5-4eec-8d73-7883612e5c2a/IMG_2170.jpg 4:33 - Iteration #1 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/f8253fb9-fb21-445a-9b91-761b2441c902/IMG_5568.PNG 4:33 - Iteration #1 - Make it stand out Iteration #26. Shifting the Goalposts Film still - Filmed over Hackney Marshes, where we trample, and perforate the ground with studs, slides, and cutting. cropped and formed, nature is once again designed and utilised. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/79fb3153-d9f8-45f3-a31c-35d8c8fa14df/IMG_5451.PNG 4:33 - Iteration #1 - Make it stand out Iteration #22 Looming. Film still - Where the remnants of an industrial past lay before the backdrop of an unfolding urban time-scape. What is “becoming with” when the with is already here? https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/425f9b9f-0a7d-4a8d-a4b9-96005a3d4c6c/Screenshot+2025-02-21+at+16.40.34.jpg 4:33 - Iteration #1 - Make it stand out Iteration #25. We Came With No Voices. Film still - Silent yes, but who is listening, and do they even need to? Each time i step into a wilderness I am confronted with the politics of land. What rights, beyond trespass, do I have to perform here? Who benifits from this encounter? I am going to ask you to be my co-creator, my co-author. its only right. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/eef5f0a9-688b-4e92-a5f7-beab4a87e56c/Screenshot+2025-01-28+at+14.54.17.png 4:33 - Iteration #1 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/b138c4f3-d12b-41a2-8445-6acc9a4e0ff6/Screenshot+2025-01-28+at+15.02.56.jpg 4:33 - Iteration #1 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/88c9368c-4194-4fbc-a73e-7e7539d426a8/Screenshot+2024-03-13+at+11.46.05.png 4:33 - Iteration #1 - Make it stand out Studio experimentation. Photo of me trying to disappear from view. This tesy work was when I first acquired a cello. I felt strangely needing to care for this instrument, not knowing what was required of me when in its company. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/b3e6549e-8e24-4ee1-a975-4fd1fa3f6165/Screenshot+2025-02-21+at+17.02.28.png 4:33 - Iteration #1 - Make it stand out iteration #20, Holding, What are your politics of care. I brought you closer. https://www.stuleeart.com/research/2023/8/5/69p8alduzdw1vec1uvnvebhh8wd2a4 monthly 0.5 2024-11-01 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/e3ffa5a7-d912-4737-b7ee-788c806d32bb/IMG_2915.jpeg 4:33 - 4:33 - Make it stand out Stuart Lee in the Royal College of Art's Hangar Space with a Cello https://www.stuleeart.com/research/2023/3/15/queered-terrains-2023 monthly 0.5 2024-10-30 https://www.stuleeart.com/research/2022/12/11/object-relations monthly 0.5 2024-10-30 https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/460f7109-6cfd-43bb-89c1-76de1a122268/Screenshot+2024-10-30+at+14.15.38.png 4:33 - Object Relations - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/eb71ebef-4ebd-4e14-a499-99eb81895be7/Paglen-The_Other_Night_Sky-03.jpg 4:33 - Object Relations - Make it stand out Trevor Paglen, Discarded Rocket Body Approaching the Disk of the Moon (SL-8 R/B), 2012. C-Print. 48 × 42 in. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/a1c1fdf3-ea62-4f0c-9ce7-1428cead9d41/Screenshot+2022-02-23+at+14.38.56.png 4:33 - Object Relations - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/59945a49c534a5d0de35b982/acc0cbfd-d9ac-4f63-acf5-58168c9cf2f1/torqued-ellipse-ii-1996-dirk-reinartz.jpg 4:33 - Object Relations - Make it stand out Richard Serra, Torqued Ellipse II, 1996. Dia Art Foundation; Gift of Louise and Leonard Riggio. © Richard Serra/Artists Rights Society (ARS), New York. 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