Development: A Journey Back Into the Hood/s

I’ve been sat here in the basement of the Annex looking at how things are, now I have filmed myself breaking most of the hoods. (see blog December 4 https://www.stuleeart.com/meth1nq/2021/4/12/evaluation-investigations-of-meaning)

The objects/works I have left (fig. 1) still seem to ignite the desire to further explore the potentiality within their being as ‘things.’

Fig.1, Three works on display in the basement to help gain sense of objects in a setting.

Fig.1, Three works on display in the basement to help gain sense of objects in a setting.

So coming back after the third lockdown has opened up the chance to explore the facilities at the university.

One way for me to challenge my comfort zone of making is to try throwing some pots in the ceramics room. I find my temperament isn’t the best match, due to my spontaneous, arbitrary and capricious nature.
yet I am finding that the chance to discover where my limitations become assets in the sense that I want to explore the materiality of clay body, and gain a sense of the Aperion, the limitless nature of shape and how that may bring a link to some other unknown form.

What does a blue banana say that a yellow one cannot. I am thinking of the Andy Warhol exhibition I saw at Tate Gallery after the first Lockdown, especially the Chairman Mao, particularly the purple version that was on display (fig. 1)

 

I haven’t ant real agenda other than to explore what may come from this time I spend in the ceramics room. I want to discover how I conceive and respond to object relations throughout the process. I want to explore my recent and past work to try and gauge where to take it next. My working practice seems to rely on my inter-relations with my objects that I create in a way that I feel guided by presence, I’m not sure how to describe this, but by sitting in and amongst, reflecting, ingesting and considering, I am given moments to respond that seem to come out of just being with the work, quietly, in a space.